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Museo del Chopo engagement report

@museodelchopo - 397K followers on X

Measured over 44 original posts from a 30-day window, last computed on September 28, 2026.

Engagement

Bottom quarter for its size
Per follower
0.001%
of 397K followers
Per impression
0.535%
747 views on a typical post
Reach
0.19%
of its followers see a post
Typical post
4
interactions (median)
Saved
0%
0 bookmarks on a typical post
Posting rate
1.5/day
active 83% of days
Peak time
00:00 UTC
Friday

A typical post picks up 4 interactions against 397K followers, an engagement rate of 0.001%. Measured over 44 original posts, its engagement rate beats 12% of 19,932 tracked accounts of a similar size. That is a reason to look at how the audience behaves - reply depth, saves, whether the followers are recent - rather than a conclusion about it on its own. Posts are seen about 747 times each, and 0.535% of those impressions turn into an interaction. That is about 0.188% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 1.5 posts a day over the last 30 days, with activity on almost every day in the window. Most posts go out around 00:00 UTC, and Friday is the busiest day of the week. Of the 44 posts sampled, 100% carry an image or video and 52% link out. The account's strongest tracked post pulled 80 interactions, about 20x its own typical post.

Measured over 44 original posts from a 30-day window, last computed on September 28, 2026. Recurring tag: #concierto.

Compared with accounts its own size

Museo del Chopo's engagement rate beats 12% of the tracked X accounts closest to it in follower count (19,932 accounts, accounts of similar size (decile 10 of 10)). A percentile is spread evenly by construction, so 50 really is the middle of that group and 90 really is its top tenth.

On engagement per impression rather than per follower it beats 33% of the same group. When those two numbers disagree, the gap is about how far its posts travel rather than how people react to them.

Where this sits in the catalog

At 0.001%, Museo del Chopo sits below the 10th percentile of the 201,130 accounts in this comparison. That places it in the bottom 25% band, which runs below 0.024%.

p100.004%
p250.024%
p50 (median)0.141%
p750.671%
p902.53%
p9982.4%
Engagement rate as a share of followers, across the 201,130 accounts we have scanned enough to measure. The axis is logarithmic, because the top and bottom of this population are about 22,900 times apart and a linear axis would flatten everything below the median into a single point.
Show the percentile table
Engagement rate percentiles
PercentileEngagement rate
10th percentile0.004%
25th percentile0.024%
50th percentile0.141%
75th percentile0.671%
90th percentile2.53%
99th percentile82.4%

This ruler is the whole measured catalog, not a size-matched group: it shows where the raw rate falls across every account we can measure, all of which are large. For a like-for-like comparison, read the size-band percentile above instead. See how the bands are built

Posting timing

This account posts most often around 00:00 UTC, and Friday is its busiest day of the week. The bars below are the catalog-wide pattern, with this account's own busiest slot marked. They do not show how this account performs at each hour: we keep one aggregate per account, not one per hour, so that measurement does not exist in our data.

Engagement by hour posted, UTCTwenty-four bars, one per UTC hour. Each bar shows how posts published in that hour compare with their own authors' median engagement. Bars above the centre line ran higher than the median, bars below ran lower. A marker flags Busiest hour: 00:00 UTC.
0003060912151821
Above the authors' own mediansBelowScale: plus or minus 111%Busiest hour: 00:00 UTC
Show engagement by hour posted, utc as a table
Engagement by hour posted, UTC
Hour (UTC)Vs author medianPosts
00:00 UTC-1%89K
01:00 UTC-2%90K
02:00 UTC-3%88K
03:00 UTC-4%94K
04:00 UTC-5%76K
05:00 UTC-4%75K
06:00 UTC-5%86K
07:00 UTC-5%93K
08:00 UTC-4%108K
09:00 UTC-4%124K
10:00 UTC-3%129K
11:00 UTC-3%141K
12:00 UTC-3%154K
13:00 UTC-3%167K
14:00 UTC-4%173K
15:00 UTC-2%176K
16:00 UTC-3%171K
17:00 UTC-3%159K
18:00 UTC-2%149K
19:00 UTC-2%141K
20:00 UTC-1%131K
21:00 UTC0%116K
22:00 UTC-2%100K
23:00 UTC-1%90K
Engagement by day of weekSeven bars, one per weekday, Sunday first. Each bar shows how posts published on that day compare with their own authors' median engagement. Bars above the centre line ran higher than the median, bars below ran lower. A marker flags Busiest day: Friday.
SunMonTueWedThuFriSat
Above the authors' own mediansBelowScale: plus or minus 111%Busiest day: Friday
Show engagement by day of week as a table
Engagement by day of week
DayVs author medianPosts
Sunday+5%393K
Monday+1%483K
Tuesday-2%520K
Wednesday-3%472K
Thursday-2%430K
Friday-3%447K
Saturday+2%393K
See what moves engagement across the whole catalogWhat counts as a good engagement rate at this size

Formats this account uses

Its own posting mix on the left, and what each of those formats does across every account we track on the right. Only formats where the effect clears our publish test appear here, so an empty row is a format we could not measure rather than one that does nothing.

This account's posting mix compared with catalog-wide effects
FormatThis accountCatalog effect95% intervalAccounts behind it
Image or video100% of posts+111%+108% to +115%34K
Outbound link52% of posts-41%-42% to -40%32K
Typical length-+15%+14% to +16%32K
  • 100% of this account's sampled posts carry an image or video. Across the catalog, posts with an image or video run 111% above the same accounts' other posts.
  • 52% of its posts carry a link off X. Across the catalog, posts with an outbound link run 41% below the same accounts' other posts, so a large share of this account's output sits in the weakest bucket we measure.
  • Its average post runs 495 characters, which falls in the over 280 characters band. Across the catalog, posts over 280 characters run 15% above the same accounts' other posts.

These are catalog-wide differences applied to this account's own posting mix, not a measurement of how each format performs for this account specifically. We keep one median per account, not one per format per account, so the second thing is not something this data can tell you.

Best tweets

  • Sep 18, 202620x their median

    Exposiciรณn ๐—ฌ๐—ฒ๐—ด๐˜‚๐—ฎ๐˜€ ๐—ฑ๐—ฒ๐—น ๐—”๐—ฝ๐—ผ๐—ฐ๐—ฎ๐—น๐—ถ๐—ฝ๐˜€๐—ถ๐˜€ ๐——๐—ฒ๐˜€๐—ฏ๐—ผ๐—ฐ๐—ฎ๐—ฑ๐—ฎ๐˜€. ๐—ฅ๐—ฒ๐˜๐—ฟ๐—ผ๐˜€๐—ฝ๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฎ. Curadurรญa: Gerardo Mosquera ๐Ÿ“… Inauguraciรณn: jueves 01 de octubre de 2026, 18:00 horas ๐Ÿ‘ค Entrada libre Tras una exitosa temporada en Chile, llega a Mรฉxico esta muestra que reรบne obra y documentaciรณn de las acciones de la dupla integrada por Francisco Casas y Pedro Lemebel, figuras fundamentales del arte y la acciรณn performรกtica latinoamericana, quienes desde 1987 hasta 1993 cuestionaron los contextos polรญticos y sociales de la dictadura chilena y el trรกnsito a la democracia. ยกImperdible!

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  • Aug 24, 20268.3x their median

    Presentaciรณn editorial y firma de libros ๐—ก๐—ผ๐—ฟ๐˜๐—ฒ๐—ปฬƒ๐—ฎ ๐— ๐—ฒ๐—บ๐—ผ๐—ฟ๐—ถ๐—ฎ๐˜€ ๐—ฑ๐—ฒ๐—น ๐—ถ๐—ป๐—ถ๐—ฐ๐—ถ๐—ผ ๐——๐—ฒ ๐—๐˜‚๐—น๐—ถ๐—ฒ๐˜๐—ฎ ๐—ฉ๐—ฒ๐—ป๐—ฒ๐—ด๐—ฎ๐˜€ ๐Ÿ“… Viernes 28 de agosto de 2026, 19:00 horas ๐™€๐™ฃ๐™ฉ๐™ง๐™–๐™™๐™– ๐™ก๐™ž๐™—๐™ง๐™š | ๐˜พ๐™ช๐™ฅ๐™ค ๐™ก๐™ž๐™ข๐™ž๐™ฉ๐™–๐™™๐™ค ๐Ÿšจ๐—˜๐—น ๐—ถ๐—ป๐—ด๐—ฟ๐—ฒ๐˜€๐—ผ ๐—ฎ๐—น ๐—™๐—ผ๐—ฟ๐—ผ ๐˜€๐—ฒ๐—ฟ๐—ฎฬ ๐—ฝ๐—ผ๐—ฟ ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ป ๐—ฑ๐—ฒ ๐—น๐—น๐—ฒ๐—ด๐—ฎ๐—ฑ๐—ฎ. ๐ŸŽŸ ๐—Ÿ๐—ผ๐˜€ ๐—ฎ๐—ฐ๐—ฐ๐—ฒ๐˜€๐—ผ๐˜€ ๐˜€๐—ฒ ๐—ฟ๐—ฒ๐—ฝ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฟ๐—ฎฬ๐—ป ๐—ฎ ๐—ฝ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฟ ๐—ฑ๐—ฒ ๐—น๐—ฎ๐˜€ ๐Ÿญ๐Ÿด:๐Ÿฌ๐Ÿฌ ๐—ต๐—ผ๐—ฟ๐—ฎ๐˜€. ๐Ÿ“š ๐—Ÿ๐—ฎ ๐—”๐˜€๐—ผ๐—ฐ๐—ถ๐—ฎ๐—ฐ๐—ถ๐—ผฬ๐—ป ๐— ๐—ฎฬ๐˜€ ๐—น๐—ถ๐—ฏ๐—ฟ๐—ผ๐˜€ ๐—บ๐—ฒ๐—ท๐—ผ๐—ฟ ๐—ณ๐˜‚๐˜๐˜‚๐—ฟ๐—ผ ๐—”.๐—–. ๐—ผ๐—ฏ๐˜€๐—ฒ๐—พ๐˜‚๐—ถ๐—ฎ๐—ฟ๐—ฎฬ ๐˜‚๐—ป ๐—ฒ๐—ท๐—ฒ๐—บ๐—ฝ๐—น๐—ฎ๐—ฟ ๐—ฎ ๐—น๐—ฎ๐˜€ ๐—ฝ๐—ฟ๐—ถ๐—บ๐—ฒ๐—ฟ๐—ฎ๐˜€ ๐Ÿฎ๐Ÿฌ๐Ÿฌ ๐—ฝ๐—ฒ๐—ฟ๐˜€๐—ผ๐—ป๐—ฎ๐˜€ ๐—พ๐˜‚๐—ฒ ๐—ฎ๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป. El libro acompaรฑa a una joven Julieta que intenta entender de dรณnde viene y quรฉ lugar quiere ocupar en el mundo: su temprana atracciรณn por la mรบsica, la relaciรณn con sus padres y hermanos, una entraรฑable profesora de piano, las amistades y los primeros amores, sus lecturas, el origen de sus primeras canciones y, como telรณn de fondo, Tijuana, su tierra natal, un espacio que condiciona decisiones, vรญnculos y oportunidades. Ya en su juventud, aparecen los primeros pasos en la industria musical y la mudanza a la capital mexicana. ยกImperdible! ๐Ÿคฉ

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  • Aug 11, 20264.5x their median

    Exposiciรณn ๐—ฅ๐—ฒ๐—ด๐—ถ๐—ป๐—ฎ ๐—๐—ผ๐˜€๐—ฒฬ ๐—š๐—ฎ๐—น๐—ถ๐—ป๐—ฑ๐—ผ ๐—Ÿ๐—ผ๐˜€ ๐—ฝ๐—ฒ๐—ผ๐—ฟ๐—ฒ๐˜€ ๐˜๐—ถ๐—ฒ๐—บ๐—ฝ๐—ผ๐˜€ ๐—ฝ๐—ผ๐˜€๐—ถ๐—ฏ๐—น๐—ฒ๐˜€ Curadurรญa: Maya Juracรกn y Regina de Con Cossรญo ๐Ÿ”นInauguraciรณn Sรกbado 15 de agosto de 2026, 12:00 horas ๐Ÿ”ธPerformance Maquillando a la muerte Sรกbado 15 de agosto de 2026, 14:00 horas Entrada libre El trabajo de la artista Regina Josรฉ Galindo se ha desarrollado en tensiรณn y respuesta con el contexto de guerra y genocidio ocurrido en Guatemala entre los aรฑos sesenta y noventa, asรญ como con su legado hoy. Esta exposiciรณn revisa su obra desde 1999 hasta la actualidad y propone 33 tiempos que se despliegan a travรฉs de proyectos y acciones, los cuales reflexionan sobre formas de violencia estructural y hegemรณnica.

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  • Aug 17, 20264.3x their median

    Ciclo de conciertos ๐—–๐—ฎ๐—ป๐—ฐ๐—ถ๐—ผ๐—ป๐—ฒ๐—ฟ๐—ฎ๐˜€ ๐—ถ๐—ป๐—ฑ๐—ผฬ๐—ฐ๐—ถ๐—น๐—ฒ๐˜€. ๐— ๐˜‚ฬ๐˜€๐—ถ๐—ฐ๐—ฎ๐˜€ ๐—ฒ๐—ป ๐—ฒ๐—น ๐—–๐—ต๐—ผ๐—ฝ๐—ผ ๐—ฆ๐˜‚๐˜€๐—ฒ๐˜ Presenta: Existo mujer ๐Ÿ“… Sรกbado 22 de agosto de 2026, 19:00 horas. La cuarta presentaciรณn del ciclo estรก a cargo de ๐—ฆ๐˜‚๐˜€๐—ฒ๐˜ quien es cantante, compositora y multinstrumentista mexicana, una de las voces emergentes mรกs destacadas de la escena contemporรกnea nacional. En esta sesiรณn presentarรก Existo mujer, un รกlbum que aborda, desde una mirada รญntima, las experiencias, reflexiones y emociones de una mujer mexicana actual. Adquiere tus boletos aquรญ ๐Ÿ‘‡๐Ÿผ https://t.co/1wp6ILftSn ยกAquรญ nos vemos!

    143001.4K viewsView on X
  • Sep 5, 20264.0x their median

    La colecciรณn artรญstica del Museo Universitario del Chopo resguarda diversas estampas del ๐—ง๐—ฎ๐—น๐—น๐—ฒ๐—ฟ ๐—ฑ๐—ฒ ๐—š๐—ฟ๐—ฎฬ๐—ณ๐—ถ๐—ฐ๐—ฎ ๐—ฃ๐—ผ๐—ฝ๐˜‚๐—น๐—ฎ๐—ฟ (๐—ง๐—š๐—ฃ), colectivo fundado en 1937 bajo la idea de que el arte podรญa ser accesible, colectivo y socialmente comprometido. A travรฉs de su producciรณn grรกfica, artistas como Leopoldo Mรฉndez, Pablo Oโ€™Higgins, Alfredo Zalce, Celia Calderรณn, Andrea Gรณmez y Marรญa Luisa Martรญn, entre otrxs, abordaron las luchas y realidades de su tiempo, entendiendo el arte como una herramienta para construir conciencia crรญtica y transformaciรณn colectiva. Hoy, estas piezas nos permiten volver sobre ese legado y reafirmar el papel del museo como un espacio donde el arte es un vehรญculo para pensar lo social, lo polรญtico y lo comรบn en el presente.

    124001.2K viewsView on X
  • Aug 12, 20264.0x their median

    Presentaciรณn editorial ๐— ๐—ฒ๐—ฑ๐—ถ๐—ผ๐˜€ ๐—ถ๐—ป๐—ฒ๐˜€๐˜๐—ฎ๐—ฏ๐—น๐—ฒ๐˜€ ๐——๐—ฒ ๐—ผ๐—ฏ๐—ท๐—ฒ๐˜๐—ผ๐˜€ ๐˜๐—ฒฬ๐—ฐ๐—ป๐—ถ๐—ฐ๐—ผ๐˜€ ๐˜† ๐—ฎ๐—ฟ๐˜๐—ฒ De Doreen A. Rรญos ๐Ÿ“… Jueves 13 de agosto de 2026, 18:00 horas ๐Ÿ‘ค Participan: Danie Valencia y la autora Publicaciรณn que reรบne una serie de ensayos donde la autora observa, analiza y especula sobre la relaciรณn entre los objetos tรฉcnicos contemporรกneos y las prรกcticas artรญsticas desde contextos latinoamericanos y poscoloniales. Entrada libre ยกTe esperamos! โ„น๏ธ https://t.co/NeeVjv8ixB

    142001.8K viewsView on X
  • Sep 2, 20263.5x their median

    Exposiciรณn ๐™€๐™ง๐™ž๐™  ๐™๐™ก๐™–๐™จ๐™š๐™˜๐™– ๐™ฎ ๐™’๐™ž๐™ฃ๐™ฃ๐™ž๐™š ๐™ˆ๐™ฎ๐™ฃ๐™š๐™ง๐™ซ๐™– ๐™€๐™ฃ๐™ฉ๐™ง๐™–๐™ฃฬƒ๐™–๐™จ Curadurรญa: Miguel A. Lรณpez y Abril Castro Prieto La muestra presenta el cuerpo como un andamiaje arquitectรณnico que permite el trรกnsito, un contenedor vivo, habitado por huรฉspedes e interconectado con el territorio, los ciclos del tiempo y los mundos espirituales. A travรฉs de la obra compuesta por tela, piel, metal, madera y cesterรญa y pinturas, Mynerva y Tlaseca actรบan como mรฉdiums y traductores que convierten el interior del cuerpo en un paisaje abierto y una herida expuesta. โ„น๏ธ https://t.co/Bf7S5CzmWc

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  • Sep 12, 20263.3x their median

    ๐˜พ๐™ค๐™ก๐™š๐™˜๐™˜๐™ž๐™คฬ๐™ฃ ๐™–๐™ง๐™ฉ๐™žฬ๐™จ๐™ฉ๐™ž๐™˜๐™– ๐™™๐™š๐™ก ๐™ˆ๐™ช๐™จ๐™š๐™ค ๐™๐™ฃ๐™ž๐™ซ๐™š๐™ง๐™จ๐™ž๐™ฉ๐™–๐™ง๐™ž๐™ค ๐™™๐™š๐™ก ๐˜พ๐™๐™ค๐™ฅ๐™ค Aunque su nombre suele asociarse con la fotografรญa, Mariana Yampolsky iniciรณ su trayectoria en el grabado en 1945 y fue una de las primeras mujeres en integrarse al Taller de Grรกfica Popular ocupando un lugar relevante en la historia del arte mexicano. En la colecciรณn del Museo Universitario del Chopo conservamos un grabado de su autorรญa '๐˜”๐˜ข๐˜ฅ๐˜ณ๐˜ฆ ๐˜ฆ ๐˜ฉ๐˜ช๐˜ซ๐˜ฐ' (1953) que formรณ parte de la carpeta '๐˜๐˜ช๐˜ฅ๐˜ข ๐˜ฎ๐˜ฆ๐˜น๐˜ช๐˜ค๐˜ข๐˜ฏ๐˜ข', donde aborda temas como la maternidad, el trabajo y la vida cotidiana. Para Yampolsky, el grabado fue tambiรฉn un medio para acercar la imagen a un pรบblico amplio y dar cuenta de la vida social y cultural de Mรฉxico. ๐˜ˆ๐˜จ๐˜ณ๐˜ข๐˜ฅ๐˜ฆ๐˜ค๐˜ฆ๐˜ฎ๐˜ฐ๐˜ด ๐˜ฆ๐˜ญ ๐˜ข๐˜ฑ๐˜ฐ๐˜บ๐˜ฐ ๐˜ฅ๐˜ฆ๐˜ญ ๐˜‰๐˜ข๐˜ฏ๐˜ค๐˜ฐ ๐˜•๐˜ข๐˜ค๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜ฅ๐˜ฆ ๐˜”๐˜ฆฬ๐˜น๐˜ช๐˜ค๐˜ฐ ๐˜ฆ๐˜ฏ ๐˜ฆ๐˜ญ ๐˜ฎ๐˜ข๐˜ณ๐˜ค๐˜ฐ ๐˜ฅ๐˜ฆ๐˜ญ ๐˜—๐˜ณ๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฎ๐˜ข ๐˜‹๐˜ฆ๐˜ด๐˜ข๐˜ณ๐˜ณ๐˜ฐ๐˜ญ๐˜ญ๐˜ฐ ๐˜ฅ๐˜ฆ ๐˜ˆ๐˜ณ๐˜ต๐˜ฆ ๐˜บ ๐˜Š๐˜ถ๐˜ญ๐˜ต๐˜ถ๐˜ณ๐˜ข ๐˜‰๐˜ข๐˜ฏ๐˜ข๐˜ฎ๐˜ฆ๐˜น ๐˜ฆ๐˜ฏ ๐˜ด๐˜ถ 6ยช ๐˜ฆ๐˜ฅ๐˜ช๐˜ค๐˜ช๐˜ฐฬ๐˜ฏ.

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  • Aug 21, 20263.3x their median

    Recorrido comentado ๐—ก๐—ฎ๐—ต๐˜‚๐—บ ๐—•. ๐—ญ๐—ฒ๐—ป๐—ถ๐—น ๐—˜๐—น ๐—น๐—ถฬ๐—บ๐—ฝ๐—ถ๐—ฑ๐—ผ ๐—ฒ๐˜€๐—ฝ๐—ฒ๐—ท๐—ผ ๐—ฑ๐—ฒ ๐—บ๐—ถ๐˜€ ๐—ผ๐—ท๐—ผ๐˜€ (๐Ÿญ๐Ÿต๐Ÿฒ๐Ÿด-๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ) ๐Ÿ“… Sรกbado 22 de agosto de 2026, 13:00 horas Acompรกรฑanos en un recorrido por la obra de Nahum B. Zenil guiado por Sol Henaro Palomino, co-curadora de la exposiciรณn y directora del Museo Universitario del Chopo. Entrada libre | Cupo limitado

    10300760 viewsView on X
  • Sep 21, 20263.0x their median

    Visita ๐—ฅ๐˜‚๐˜๐—ฎ ๐—ณ๐—ฎ๐—ป๐˜‡๐—ถ๐—ป๐—ฒ๐—ฟ๐—ฎ ๐—Ÿ๐—ฎ ๐—™๐—ฎ๐—ป๐˜‡๐—ถ๐—ป๐—ผ๐˜๐—ฒ๐—ฐ๐—ฎ ๐—ฒ๐—ป ๐—น๐—ผ๐˜€ ๐—–๐—–๐—› ๐Ÿ—“๏ธ Del 21 al 25 de septiembre de 2026 ๐Ÿ•ฃ 11:00 a 16:00 horas Como parte de las actividades del Festival Cultural de Otoรฑo, la Fanzinoteca del Museo Universitario del Chopo se traslada a los planteles del Colegio de Ciencias y Humanidades para acercar su acervo a la comunidad estudiantil. En cada visita se instalarรก un stand donde serรก posible conocer una selecciรณn de fanzines, ademรกs de participar en la Estaciรณn de minizines, un espacio de creaciรณn abierto a todxs quienes quieran elaborar libremente su propia minipublicaciรณn. โ„น๏ธ https://t.co/Q4GVu7ZjwE

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Ranked by total interactions across everything we have tracked for this account, which is a longer history than the 30-day window the rates above use. The multiple compares each post to this account's own median.

Recurring topics

#concierto

The most frequent hashtags in the sampled posts. They describe what this account writes about; they are not a performance signal, and the catalog-wide breakdown on the hub shows how little hashtag count moves.

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Reading these numbers

A typical post picks up 4 interactions against 397K followers, an engagement rate of 0.001%. Measured over 44 original posts, its engagement rate beats 12% of 19,932 tracked accounts of a similar size. That is a reason to look at how the audience behaves - reply depth, saves, whether the followers are recent - rather than a conclusion about it on its own. Posts are seen about 747 times each, and 0.535% of those impressions turn into an interaction. That is about 0.188% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 1.5 posts a day over the last 30 days, with activity on almost every day in the window. Most posts go out around 00:00 UTC, and Friday is the busiest day of the week. Of the 44 posts sampled, 100% carry an image or video and 52% link out. The account's strongest tracked post pulled 80 interactions, about 20x its own typical post.

What is Museo del Chopo's engagement rate on X?
Museo del Chopo (@museodelchopo) has an engagement rate of 0.001%, based on the median interactions across 44 original posts from the last 30 days against 396,692 followers. Replies, reposts and quote-posts of other people are excluded from that sample.
Is that a good engagement rate?
At 0.001%, Museo del Chopo sits below the 10th percentile of the 201,130 accounts in this comparison. Those comparison accounts are all large ones, because our scanning cadence is weighted towards big accounts, so this is a ranking among peers of similar scale rather than a ranking across X.
Does @museodelchopo have real engagement?
Its engagement rate beats 12% of the tracked X accounts closest to it in follower count (19,932 accounts), which puts it in the bottom quarter for its size group. Ranking inside a size band matters because engagement rate falls as accounts grow, so a raw rate would mostly re-measure the follower count. It is a starting point for a look at follower quality, not a verdict on it.
When does @museodelchopo post?
Most posts go out around 00:00 UTC, and Friday is its busiest day, at roughly 1.5 posts per day across the measured window.

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