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MIKE BAMILOYE engagement report

@mikebamiloye - 105K followers on X

Measured over 2 original posts from a 30-day window, last computed on October 13, 2026.

Engagement

Per follower
2.02%
of 105K followers
Per impression
9.32%
23K views on a typical post
Reach
21.6%
of its followers see a post
Typical post
2.1K
interactions (median)
Saved
0.097%
22 bookmarks on a typical post
Posting rate
0.07/day
active 7% of days
Peak time
09:00 UTC
Tuesday

Early reading. We have captured 2 original posts for this account, below the 8 we require before treating a median as settled. The numbers above describe what we have seen so far, not a finished profile of the account.

A typical post picks up 2.1K interactions against 105K followers, an engagement rate of 2.02%. Posts are seen about 23K times each, and 9.32% of those impressions turn into an interaction. That is about 21.6% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 0.07 posts a day over the last 30 days, though only 7% of days saw any activity at all. Most posts go out around 09:00 UTC, and Tuesday is the busiest day of the week. Of the 2 posts sampled, 50% carry an image or video and 50% link out. The account's strongest tracked post pulled 8.5K interactions, about 4.0x its own typical post. Only 2 original posts have been captured so far, fewer than the 8 posts we want behind a median before treating it as settled. Read the figures above as an early measurement of this account, not as a finished profile of it.

Measured over 2 original posts from a 30-day window, last computed on October 13, 2026.

Where this sits in the catalog

At 2.02%, MIKE BAMILOYE sits above the 75th percentile of the 204,880 accounts in this comparison. That places it in the top 25% band, which runs 0.678% to 2.55%.

p100.004%
p250.024%
p50 (median)0.143%
p750.678%
p902.55%
p9982.4%
Engagement rate as a share of followers, across the 204,880 accounts we have scanned enough to measure. The axis is logarithmic, because the top and bottom of this population are about 22,891 times apart and a linear axis would flatten everything below the median into a single point.
Show the percentile table
Engagement rate percentiles
PercentileEngagement rate
10th percentile0.004%
25th percentile0.024%
50th percentile0.143%
75th percentile0.678%
90th percentile2.55%
99th percentile82.4%

This ruler is the whole measured catalog, not a size-matched group: it shows where the raw rate falls across every account we can measure, all of which are large. For a like-for-like comparison, read the size-band percentile above instead. See how the bands are built

Posting timing

This account posts most often around 09:00 UTC, and Tuesday is its busiest day of the week. The bars below are the catalog-wide pattern, with this account's own busiest slot marked. They do not show how this account performs at each hour: we keep one aggregate per account, not one per hour, so that measurement does not exist in our data.

Engagement by hour posted, UTCTwenty-four bars, one per UTC hour. Each bar shows how posts published in that hour compare with their own authors' median engagement. Bars above the centre line ran higher than the median, bars below ran lower. A marker flags Busiest hour: 09:00 UTC.
0003060912151821
Above the authors' own mediansBelowScale: plus or minus 111%Busiest hour: 09:00 UTC
Show engagement by hour posted, utc as a table
Engagement by hour posted, UTC
Hour (UTC)Vs author medianPosts
00:00 UTC-1%89K
01:00 UTC-2%90K
02:00 UTC-3%88K
03:00 UTC-4%94K
04:00 UTC-5%76K
05:00 UTC-4%75K
06:00 UTC-5%86K
07:00 UTC-5%93K
08:00 UTC-4%108K
09:00 UTC-4%124K
10:00 UTC-3%129K
11:00 UTC-3%141K
12:00 UTC-3%154K
13:00 UTC-3%167K
14:00 UTC-4%173K
15:00 UTC-2%176K
16:00 UTC-3%171K
17:00 UTC-3%159K
18:00 UTC-2%149K
19:00 UTC-2%141K
20:00 UTC-1%131K
21:00 UTC0%116K
22:00 UTC-2%100K
23:00 UTC-1%90K
Engagement by day of weekSeven bars, one per weekday, Sunday first. Each bar shows how posts published on that day compare with their own authors' median engagement. Bars above the centre line ran higher than the median, bars below ran lower. A marker flags Busiest day: Tuesday.
SunMonTueWedThuFriSat
Above the authors' own mediansBelowScale: plus or minus 111%Busiest day: Tuesday
Show engagement by day of week as a table
Engagement by day of week
DayVs author medianPosts
Sunday+5%393K
Monday+1%483K
Tuesday-2%520K
Wednesday-3%472K
Thursday-2%430K
Friday-3%447K
Saturday+2%393K
See what moves engagement across the whole catalogWhat counts as a good engagement rate at this size

Formats this account uses

Its own posting mix on the left, and what each of those formats does across every account we track on the right. Only formats where the effect clears our publish test appear here, so an empty row is a format we could not measure rather than one that does nothing.

This account's posting mix compared with catalog-wide effects
FormatThis accountCatalog effect95% intervalAccounts behind it
Image or video50% of posts+111%+108% to +115%34K
Outbound link50% of posts-41%-42% to -40%32K
Typical length-+15%+14% to +16%32K
  • 50% of this account's sampled posts carry an image or video. Across the catalog, posts with an image or video run 111% above the same accounts' other posts.
  • 50% of its posts carry a link off X. Across the catalog, posts with an outbound link run 41% below the same accounts' other posts, so a large share of this account's output sits in the weakest bucket we measure.
  • Its average post runs 391 characters, which falls in the over 280 characters band. Across the catalog, posts over 280 characters run 15% above the same accounts' other posts.

These are catalog-wide differences applied to this account's own posting mix, not a measurement of how each format performs for this account specifically. We keep one median per account, not one per format per account, so the second thing is not something this data can tell you.

Best tweets

  • Jun 1, 20254.0x their median

    #IWhoopi Yun 🎵 Never Going Back – A Soundtrack for This Generation So Never Going Back by Gaise Baba and Lawrence Oyor, hit the internet and it went viral, young people love it, but recently, I have been seeing videos of a pastor and some Christians criticizing the song and I can’t stop thinking about the message of the song and the reactions it has sparked amongst us christians . Here’s the thing: teenagers and young adults today are some of the most difficult people to reach with the gospel. Why? Because they’re constantly being influenced by friends, social media, entertainment, and everything in between. In a world that glamorizes drugs, promiscuity, money-worship, and “love” that fades faster than a Snapchat story, we finally get a song that boldly centers Jesus and personal transformation, that our youths are vibing too and some of us are criticizing it? What is wrong with us? Let’s take a step back. The lyrics say: "Ife Jesu lo wa mi ri, to gbami ku o"—“The love of Jesus sought me, found me, and died for me.” That’s the gospel, in Yoruba rhythm and sound! Yet all some people can talk about is Gaise’s hair color, his blinks, the headband on Lawrence’s head and the dance steps in the song. Really? Someone said, “I go narrow, dem think say I no know road o.” Isn’t that what the Bible teaches? Narrow is the path that leads to life. Didn’t Jesus say He came for the sick, the lost, the sinners? Will every gospel singer be Dunsin and Nathaniel? Instead of focusing on the outward appearance of the ministers, what if we focused our hearts on praying that: Out of 4 million streams, at least 400,000 youths would genuinely surrender to Jesus. Another 400,000 who are still searching would encounter the Holy Spirit and find salvation. The rest would be stirred to rededicate their lives and stay rooted in Christ. Wouldn’t that be worth celebrating? Here’s the truth: whether we like it or not, someone is influencing your children, your teenagers, and your youth group. If they’re not listening to something like Never Going Back, they’ll be listening to something else and let’s be honest, a lot of what’s out there isn’t helping them know Jesus. When we publicly condemn songs like this, directly or subtly, we shut the door to one of the few tools actually speaking the language of the street with the heart of the cross. I’m not a pastor, but I know this: Jesus came and died for sinners. None of us regardless of titles, appearances, or backgrounds is better than another, we’ve all simply found favor of God and are trying to live a life that pleases our Heavenly Father. So rather than criticize, let’s pray. Let’s encourage. Let’s support gospel expressions that speak to this generation in their own rhythm. Haba!! some of us are still “saving the ark” and we are not even aware of it. May God help us all. XoXo Whoopy Yun #NeverGoingBack #LetTheGospelSound #WhoopyYun #YouthAndJesus #PrayNotCriticize #OmobolanleAdedeji #GospelInEveryForm

    6.6K1.3K346150384K viewsView on X
  • Oct 8, 20262.0x their median

    PASTOR E.A. ADEBOYE & PASTOR FOLUKE ADEBOYE WATCHED AGBARANLA – THE RETURN Yesterday was a surreal moment for us all. It was a deeply special moment for the entire AGBARANLA team as Pastor E A Adeboye and Pastor Foluke Adeboye graciously hosted us and watched the entire 2½-hour AGBARANLA movie from beginning to end. Thank you Pastors Oluwagbemileke and Titilope Adeboye for the warm welcome and Adeola Abolaji for the technical help . AGBARANLA – THE RETURN is still showing in cinemas. Please support this work and be part of what God is doing as He establishes His Kingdom—even in the mountain of entertainment. From The Mount Zion Film Productions, CIRCUIT, SOZO Films, and Nile Entertainment, we say a very big Thank you. To God be all the glory!

    3.8K42036944K viewsView on X
  • Jun 26, 20261.8x their median

    THE STORY OF “AGBARA NLA” 1987 - At the National Festival of Christian Drama (HARVEST 87) organized by Mount Zion Faith Ministries, at GOFAMINT- International Gospel Centre, Ojoo, Ibadan, drama leaders and Coordinators were gathered at separate meeting to share the vision with them of coming together with us to shoot the first Nigerian Christian movie. The meeting was successful as we all rose from the meeting to strategize. The Script was written and the Title was : “AGBARA TO JU AGBARA LO”. We began series of meetings and Casting and rehearsals at OritaMefa Baptist Church, Total Garden Ibadan. And drama ministers majorly from church and campus drama groups were coming to the meetings from many cities and campuses, notably from UNILAG, UI, Ogun State University, College of Education, ILESA, etc, including many from Church drama Groups. . Then, the film shooting began. The Cameraman was recommended for us and attended many meetings and rehearsals with us. The Village Location was at APETE Village. Then, after all our efforts and labours of many brethren from church and campuses, when the film shoot was completed, THE CAMERAMAN DISAPPEARED WITH THE TAPES. All efforts to locate him proved abortive. So the vision was rested and it died. 1993. - When we had already made Five or six movies successfully, and we were more stable in ministry, the Holy Spirit brought up the matter of shooting the movie again. Now as a Television serial. The Script was revisited and rewritten again. We called on brethren and drama ministers gathered with us at BADEKU Village, Ibadan. A FOURSQUARE Gospel Church Pastor gave us N5,000 to deposit for the Camera. And Rev Idowu Animashawun of World Hope Mission, BADEKU hosted us in the village all through the Muwonleru village Scenes Bro Kayode Oyebode Oju Oluwa-Kay Technical was the Camera man and Technical Director of the 1993 TV Serial: AGBARA NLA It was broadcast across the existing TV Channels of Western Nigeria in those days. 1994 - The Lord instructed us to go back on location and make the movie in English Language: ULTIMATE POWER. It was the English Version that spread across the Eastern and Northern Nigeria and beyond in 1994. 2025 - September/October we were on film location to do a Remake of this iconic production.  Rewritten and Directed by DAMILOLA Mike -Bamiloye Produced By: CHRIS ODEH Jointly Sponsored by: Mount Zion Films, Sozo Films and Circuit-TV Therefore the story of the production of AGBARA NLA had began since 1987. Now it is time to appear on the Global Stage in the Name of the Lord. Amen. #mikebamiloye

    2.9K7281605483K viewsView on X
  • May 20, 20251.6x their median

    I watched this movie Yesterday and it is very deep. I know the movie is not meant Only for Music Ministers, BUT I ADVICE ALL MUSIC MINISTERS TO TAKE TIME TO WATCH THIS MOVIE. Not all Churches are Churches and not all Altars are from God. Mantles can be lost; and God’s presence must not be replaced with Performance. Who should be more honored? the One who Invited minister or the One who Sent the Minister. - There are many living Music Ministers who have been brought down by PRIDE and their names are not heard again. - NO One is Irreplaceable. If you are too big for God to lead and Correct, You can be replaced and your Mantle can be lost. THIS IS A MESSAGE FROM GOD, NOT ONLY TO THE MUSIC MINISTERS, BUT TO ALL THISE WHO ARE CALLED TO SERVE IN HIS VINEYARD. May God Continually bless the WINLOS #mikebamiloye

    3.0K397471279K viewsView on X
  • Jun 3, 2025

    LADIES AND GENTLEMEN OF GOD… I am not writing this to convince anyone or persuade anyone. No. Never. I am just amazed and absolutely Confounded that Anyone praying for Revival in the End Time would stand against this Viral Song: “I have decided to follow Jesus, No Turning Back” It is true some people may have issues with the fashion appearance of Gaise Baba who invited Lawrence Oyor to sing with him. It is true that the appearance may contradict some fundamental ethics, but is there a limit to who the Lord could use to showcase His glory? He said if some people kept quiet, He would raise Stone to praise Him instead. When Ballam could not align with rhe plan of God, God communicated theoufh a Donkey to get to him. Is there a limited to who the Lord could use to proclaim His Glory? Do we all remember the incidence that happened to Jesus in the Pharisee’s house when He was invited there? (Luke 7:36-50) A woman, a notable Sinner in rhe city came to that house with the best gift she had to offer to Jesus, An Alabaster Box of Ointment, Very Costly, roughly estimated to cost 300 denarie ( almost a year wage of common workers) She came and broke the Oil and poured it on Jesus and wiped His feet with it. And the Pharisee protested against this. Some of The Disciples also reacted against this. But Jesus defended the woman. And Jesus told the Woman: “Luke 7:48,50 NKJV [48] Then He said to her, "Your sins are forgiven." [50] Then He said to the woman, "Your faith has saved you. Go in peace." Two Young Men had brought this great Music to glorify the Lord and the Lord had breathed on it and made it global, and it had penetrated every Corner of the world. People, children, Elderlies and Youths are dancing everywhere shouting: “JESUS! JESUS! I HAVE DECIDED TO FOLLOW JESUS!” Yet the Devil has raised up an OPPOSITION against the JESUS SONG that has broken all Charts in Nigeria and Having one of the highest Streams in the World. Gladly the UNBELIEVERS accept this Song and Confessing to it in the market place and EVEN IN THE CLUB HOUSE, unknowingly making spiritual Prophetic declaration about Following Jesus and Never turning back. School Children are singing and dancing to it and indirectly confessing to follow Him and Never to Turn Back. BUT SADLY, the Missiles of attacks and Oppositions are being shot against the Song and the Young Man who had brought His Alabaster Oil to pour on Jesus Christ. And Funny enough, Similar to the Biblical incidence, we now have Some of the Attackers from the Pharisees and The Disciples. Happily, JESUS NEVER SUPPORTED THE PHARISEES AND THE DISCIPLES who attacked the Gift of Alabaster Oil. He forgave the Woman and said her Faith for bringing the Costly ointment to Him and worshipping Him, that Faith has saved her. FELLOW BELIEVERS, IF GEISE BABA HAD COLLABORATED WITH ONE OF THE YOUNG SECULAR MUSIC STAR TO PRODUCE A VIRAL MUSIC THAT ATTACK THE CHURCH OF GOD AND JESUS CHRIST AND THE MUSIC HAS NOW BROKEN ALL CHARTS, WOULD WE HAVE BEEN HAPPIER? WOULD WE HAVE REJOICED? We are praying for REVIVAL to Bring Souls to the Kingdom of God and we are not Supporting one of the Tools the Lord had chosen in His Wisdom to reach out to the World! He could use anyone. He could use Any Tool! IF YOU ARE AGAINST THE SINNER WOMAN WHO BROUGHT THIS COSTLY ALABASTER OIL TO JESUS, THEN YOU CAN NOT BE SUPPORTED BY JESUS , HE IS NOT ON YOUR SIDE. He is on the Side of the Woman who had chosen to cone and Worship Him just as He is. I am not saying GEISE BABA is Perfect, his Interviews shows he is Still Growing in Christ. I heard that he is being Raised and Discipled in a famous seasoned and God-Fearing Pastor’s Church. YES, HE IS GROWING. They are working on him. WHEN HE GROWS TO CERTAIN LEVEL HE WILL CAST ASIDE SOME CERTAIN BEHAVIORS. However, Hatred and Bitterness will not allow him grow, ONLY LOVE WILL ALLOW HIM GROW.

    1.9K23012841135K viewsView on X
  • Jan 24, 2025

    30 YEARS AGO, (1995), the Lord spoke to us to ARISE and SHINE, for our Light is come and the glory of the Lord us risen upon us. (Isaiah 60:1) The Newsletter released at the beginning of the year (1995) at that time were typed and produced by Bro Olalekan Opaleye, now Prof. Lekan Jesuleye, the Provost of Mount Zion Institute, and Evang Matthew Dada, (now Matthew Bamidele). 30 years later, in 2025, the Lord spoke to all of us in Drama Ministry that this year 2025, is our Year of UNLIMITED POSSESSIONS (Genesis 13:14-15). Glory to God for His Consistency of Focus and Vision.

    1.4K11831022K viewsView on X
  • May 14, 2025

    https://t.co/atlYegEU1c

    1.4K884423K viewsView on X
  • Nov 18, 2025

    Are you seeing the Social Media news in America and Europe and Australia ? Are you seeing how a Religion is fastly overrunning the land? That of America is very scary. City by City is fallen into the over bearing hand of the Children of the Bond Woman, and they are raising the flags of their various Countries and the American and European nation have become helpless? IS THAT WHAT YOU SEE? I AM SEEING SOMETHING ELSE. I AM SEEING THOSE WHO WOULD PERSECUTE THE CHRISTIANS WHO ARE LEFT BEHIND AFTER RAPTURE. I am seeing them positioning themselves across nations. J an seeing those who would be searching and looking for the LEFT BEHINDS to cut their Heeaads I AM SEEING THE ACTORS AND THE ACTRESSES OF THE GREAT TRIBULATION ASSEMBLING FOR SCRIPT REHEARSALS. This Persecutions will get to its Climax when the Church is Raptured and the LEFT BEHIND are faced with the Tribulations. #mikebamiloye

    969233701858K viewsView on X
  • Jun 26, 2026

    THE STORY OF “AGBARA NLA” 1987 - At the National Festival of Christian Drama (HARVEST 87) organized by Mount Zion Faith Ministries, at GOFAMINT- International Gospel Centre, Ojoo, Ibadan, drama leaders and Coordinators were gathered at separate meeting to share the vision with them of coming together with us to shoot the first Nigerian Christian movie. The meeting was successful as we all rose from the meeting to strategize. The Script was written and the Title was : “AGBARA TO JU AGBARA LO”. We began series of meetings and Casting and rehearsals at OritaMefa Baptist Church, Total Garden Ibadan. And drama ministers majorly from church and campus drama groups were coming to the meetings from many cities and campuses, notably from UNILAG, UI, Ogun State University, College of Education, ILESA, etc, including many from Church drama Groups. . Then, the film shooting began. The Cameraman was recommended for us and attended many meetings and rehearsals with us. The Village Location was at APETE Village. Then, after all our efforts and labours of many brethren from church and campuses, when the film shoot was completed, THE CAMERAMAN DISAPPEARED WITH THE TAPES. All efforts to locate him proved abortive. So the vision was rested and it died. 1993. - When we had already made Five or six movies successfully, and we were more stable in ministry, the Holy Spirit brought up the matter of shooting the movie again. Now as a Television serial. The Script was revisited and rewritten again. We called on brethren and drama ministers gathered with us at BADEKU Village, Ibadan. A FOURSQUARE Gospel Church Pastor gave us N5,000 to deposit for the Camera. And Rev Idowu Animashawun of World Hope Mission, BADEKU hosted us in the village all through the Muwonleru village Scenes Bro Kayode Oyebode Oju Oluwa-Kay Technical was the Camera man and Technical Director of the 1993 TV Serial: AGBARA NLA It was broadcast across the existing TV Channels of Western Nigeria in those days. 1994 - The Lord instructed us to go back on location and make the movie in English Language: ULTIMATE POWER. It was the English Version that spread across the Eastern and Northern Nigeria and beyond in 1994. 2025 - September/October we were on film location to do a Remake of this iconic production.  Rewritten and Directed by DAMILOLA Mike -Bamiloye Produced By: CHRIS ODEH Jointly Sponsored by: Mount Zion Films, Sozo Films and Circuit-TV Therefore the story of the production of AGBARA NLA had began since 1987. Now it is time to appear on the Global Stage in the Name of the Lord. Amen. #mikebamiloye

    925246301316K viewsView on X
  • Feb 6, 2025

    https://t.co/1wgVkylSvz

    86314913519K viewsView on X

Ranked by total interactions across everything we have tracked for this account, which is a longer history than the 30-day window the rates above use. The multiple compares each post to this account's own median.

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Reading these numbers

A typical post picks up 2.1K interactions against 105K followers, an engagement rate of 2.02%. Posts are seen about 23K times each, and 9.32% of those impressions turn into an interaction. That is about 21.6% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 0.07 posts a day over the last 30 days, though only 7% of days saw any activity at all. Most posts go out around 09:00 UTC, and Tuesday is the busiest day of the week. Of the 2 posts sampled, 50% carry an image or video and 50% link out. The account's strongest tracked post pulled 8.5K interactions, about 4.0x its own typical post. Only 2 original posts have been captured so far, fewer than the 8 posts we want behind a median before treating it as settled. Read the figures above as an early measurement of this account, not as a finished profile of it.

What is MIKE BAMILOYE's engagement rate on X?
MIKE BAMILOYE (@mikebamiloye) has an engagement rate of 2.02%, based on the median interactions across 2 original posts from the last 30 days against 105,173 followers. Replies, reposts and quote-posts of other people are excluded from that sample.
Is that a good engagement rate?
At 2.02%, MIKE BAMILOYE sits above the 75th percentile of the 204,880 accounts in this comparison. Those comparison accounts are all large ones, because our scanning cadence is weighted towards big accounts, so this is a ranking among peers of similar scale rather than a ranking across X.
Does @mikebamiloye have real engagement?
There is not yet enough sample to rank this account against others of its size.
When does @mikebamiloye post?
Most posts go out around 09:00 UTC, and Tuesday is its busiest day, at roughly 0.07 posts per day across the measured window.

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