La Biennale di Venezia engagement report
@la_Biennale - 635K followers on X
Measured over 57 original posts from a 30-day window, last computed on August 26, 2026.
Engagement
A typical post picks up 13 interactions against 635K followers, an engagement rate of 0.002%. Measured over 57 original posts, its engagement rate beats 15% of 3,758 tracked accounts of a similar size. That is a reason to look at how the audience behaves - reply depth, saves, whether the followers are recent - rather than a conclusion about it on its own. Posts are seen about 3.0K times each, and 0.428% of those impressions turn into an interaction. That is about 0.479% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 1.9 posts a day over the last 30 days, though only 17% of days saw any activity at all. Most posts go out around 09:00 UTC, and Monday is the busiest day of the week. Of the 57 posts sampled, 100% carry an image or video and 100% link out. The account's strongest tracked post pulled 67 interactions, about 5.2x its own typical post. Recurring topics include #biennalecinema2026, #veniceopen, #venezia83.
Measured over 57 original posts from a 30-day window, last computed on August 26, 2026. Recurring tags: #biennalecinema2026, #veniceopen, #venezia83.
Compared with accounts its own size
La Biennale di Venezia's engagement rate beats 15% of the tracked X accounts closest to it in follower count (3,758 accounts, accounts of similar size (decile 8 of 10)). A percentile is spread evenly by construction, so 50 really is the middle of that group and 90 really is its top tenth.
On engagement per impression rather than per follower it beats 31% of the same group. When those two numbers disagree, the gap is about how far its posts travel rather than how people react to them.
Where this sits in the catalog
At 0.002%, La Biennale di Venezia sits above the 10th percentile of the 36,521 accounts in this comparison. That places it in the bottom 25% band, which runs below 0.012%.
Show the percentile table
| Percentile | Engagement rate |
|---|---|
| 10th percentile | 0.002% |
| 25th percentile | 0.012% |
| 50th percentile | 0.08% |
| 75th percentile | 0.434% |
| 90th percentile | 2.10% |
| 99th percentile | 160.7% |
This ruler is the whole measured catalog, not a size-matched group: it shows where the raw rate falls across every account we can measure, all of which are large. For a like-for-like comparison, read the size-band percentile above instead. See how the bands are built
Posting timing
This account posts most often around 09:00 UTC, and Monday is its busiest day of the week. The bars below are the catalog-wide pattern, with this account's own busiest slot marked. They do not show how this account performs at each hour: we keep one aggregate per account, not one per hour, so that measurement does not exist in our data.
Show engagement by hour posted, utc as a table
| Hour (UTC) | Vs author median | Posts |
|---|---|---|
| 00:00 UTC | -1% | 50K |
| 01:00 UTC | -2% | 51K |
| 02:00 UTC | -3% | 50K |
| 03:00 UTC | -4% | 53K |
| 04:00 UTC | -6% | 43K |
| 05:00 UTC | -4% | 42K |
| 06:00 UTC | -4% | 48K |
| 07:00 UTC | -5% | 52K |
| 08:00 UTC | -4% | 60K |
| 09:00 UTC | -3% | 69K |
| 10:00 UTC | -2% | 72K |
| 11:00 UTC | -3% | 78K |
| 12:00 UTC | -2% | 86K |
| 13:00 UTC | -2% | 94K |
| 14:00 UTC | -4% | 97K |
| 15:00 UTC | -2% | 100K |
| 16:00 UTC | -3% | 97K |
| 17:00 UTC | -2% | 90K |
| 18:00 UTC | -1% | 84K |
| 19:00 UTC | -2% | 79K |
| 20:00 UTC | -1% | 74K |
| 21:00 UTC | -1% | 66K |
| 22:00 UTC | -2% | 57K |
| 23:00 UTC | -2% | 51K |
Show engagement by day of week as a table
| Day | Vs author median | Posts |
|---|---|---|
| Sunday | +4% | 230K |
| Monday | 0% | 286K |
| Tuesday | -2% | 276K |
| Wednesday | -1% | 251K |
| Thursday | -1% | 244K |
| Friday | -3% | 252K |
| Saturday | +3% | 227K |
Best tweets
- Aug 25, 20265.2x their median
Waiting for the #BiennaleCinema2026 | #Venezia83 #Competition @tsukamoto_shiny tackles the theme of war once again in his latest film: @nelsonsan_movie. The director takes a broader perspective than the whistling of bullets and the roar of bombs: he delves into the “aftermath” for those who fought in the war – into the trauma, the insomnia, the nightmares, the fears, the difficulty of rebuilding relationships and piecing their lives back together, once they return home → https://t.co/DUbRzpvUmH
- Aug 21, 20264.6x their median
Waiting for the #BiennaleCinema2026 | #Venezia83 #Competition #NanniMoretti is an author who needs no introduction. 45 years after #SweetDreams, for which he won the Special Jury Prize, he returns to the #BiennaleCinema in Competition with #ItWillHappenTonight, a film about a tormented and poetic love that evolves alongside its protagonists, played by #JasmineTrinca and @garrel_louis → https://t.co/DUbRzpwscf
- Aug 23, 20263.2x their median
Waiting for the #BiennaleCinema2026 | #Venezia83 #Competition #OneMinuteToMidnight is the new film by #NicolasPariser, for the first time in Competition at the #BiennaleCinema. The story follows the existential crisis of Léo (#MelvilPoupaud), a 49-year-old man who, grappling with a separation, the death of his biological father, the conversations with his activist daughter and the ghosts of his past, finds himself questioning everything. Above all, his relationships with women → https://t.co/DUbRzpvUmH
- Aug 22, 20262.8x their median
Waiting for the #BiennaleCinema2026 | #Venezia83 #Competition #BernardoBertolucci’s latest screenplay, co-written with #IlariaBernardini and #LudovicaRampoldi, is now a film: #TheEchoChamber, directed by #AndreaPallaoro. A love story in which the boundaries between presence and absence, care and dependence, desire and control become blurred, until they dissolve → https://t.co/DUbRzpwscf
- Aug 21, 20262.5x their median
Aspettando la #BiennaleCinema2026 | #Venezia83 #Concorso #NanniMoretti non ha certo bisogno di presentazioni: a 45 anni da #SogniDOro, con cui vinse il Premio Speciale della Giuria, torna in Concorso con #SuccederàQuestaNotte, un film su un amore tormentato e poetico che attraversa gli anni, cambiando insieme ai suoi protagonisti (interpretati da #JasmineTrinca e #LouisGarrel) → https://t.co/FqfhGAzd5b
- Aug 24, 20262.2x their median
Waiting for the #BiennaleCinema2026 | #Venezia83 #Competition After the success of 2025’s #TheHolyBoy, #PaoloStrippoli returns to the #BiennaleCinema with his new film #LEstranea, starring #JasmineTrinca, #AdrianoGiannini, #RomanaMaggioraVergano and #ValeriaBruniTedeschi. A top-notch cast brings this ominous psychological thriller to life, delving into the downfall of a family of entrepreneurs from #Bari → https://t.co/DUbRzpvUmH
- Aug 24, 20262.1x their median
Aspettando la #BiennaleCinema2026 | #Venezia83 #Concorso Dopo #LaValleDeiSorrisi del 2025, #PaoloStrippoli torna alla #BiennaleCinema il suo nuovo film, #LEstranea, con #JasmineTrinca, #AdrianoGiannini, #RomanaMaggioraVergano e #ValeriaBruniTedeschi. Un cast di grande prestigio per un inquietante thriller psicologico sulla caduta di una famiglia dell’imprenditoria barese → https://t.co/FqfhGAzKUJ
- Aug 23, 20261.8x their median
Aspettando la #BiennaleCinema2026 | #VeniceOpen #FuoriConcorso Tra il 1970 e il 1973 un gruppo di cineasti italiani attraversò oltre venti regioni dell’Unione Sovietica per documentarne la grandezza e la straordinaria varietà culturale, sociale e religiosa. Tornati a casa però ben poco di ciò che raccolsero venne utilizzato, e rimase per anni negli archivi dell’AAMOD di #Roma. Ora #SergejLoznitsa ne ha fatto un film dal titolo #Imperium → https://t.co/67n7QXXjM1
- Aug 22, 20261.8x their median
Waiting for the #BiennaleCinema2026 | #VeniceOpen #OutOfCompetition In #NoParadiseIfYouAreKilledByAWoman, the Norwegian-Kurdish director @halkawtmustafa presents a war film that blends action and drama. The story centres on a Kurdish female sniper who, more than ten years after ISIS’ assault on #Mosul, sets out to find the sister she had always believed was dead → https://t.co/5dkCnhyet1
- Aug 22, 20261.5x their median
Aspettando la #BiennaleCinema2026 | #Venezia83 #Concorso L’ultima sceneggiatura di #BernardoBertolucci, scritta con @faremoforesta e @lud_wig, diventa un film: #TheEchoChamber, con la regia di #AndreaPallaoro. Una storia d’amore in cui i confini tra presenza e assenza, cura e dipendenza, desiderio e controllo si confondono fino a dissolversi → https://t.co/FqfhGAzKUJ
Ranked by total interactions across everything we have tracked for this account, which is a longer history than the 30-day window the rates above use. The multiple compares each post to this account's own median.
Recurring topics
The most frequent hashtags in the sampled posts. They describe what this account writes about; they are not a performance signal, and the catalog-wide breakdown on the hub shows how little hashtag count moves.
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Reading these numbers
A typical post picks up 13 interactions against 635K followers, an engagement rate of 0.002%. Measured over 57 original posts, its engagement rate beats 15% of 3,758 tracked accounts of a similar size. That is a reason to look at how the audience behaves - reply depth, saves, whether the followers are recent - rather than a conclusion about it on its own. Posts are seen about 3.0K times each, and 0.428% of those impressions turn into an interaction. That is about 0.479% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 1.9 posts a day over the last 30 days, though only 17% of days saw any activity at all. Most posts go out around 09:00 UTC, and Monday is the busiest day of the week. Of the 57 posts sampled, 100% carry an image or video and 100% link out. The account's strongest tracked post pulled 67 interactions, about 5.2x its own typical post. Recurring topics include #biennalecinema2026, #veniceopen, #venezia83.
- What is La Biennale di Venezia's engagement rate on X?
- La Biennale di Venezia (@la_Biennale) has an engagement rate of 0.002%, based on the median interactions across 57 original posts from the last 30 days against 634,896 followers. Replies, reposts and quote-posts of other people are excluded from that sample.
- Is that a good engagement rate?
- At 0.002%, La Biennale di Venezia sits above the 10th percentile of the 36,521 accounts in this comparison. Those comparison accounts are all large ones, because our scanning cadence is weighted towards big accounts, so this is a ranking among peers of similar scale rather than a ranking across X.
- Does @la_Biennale have real engagement?
- Its engagement rate beats 15% of the tracked X accounts closest to it in follower count (3,758 accounts), which puts it in the bottom quarter for its size group. Ranking inside a size band matters because engagement rate falls as accounts grow, so a raw rate would mostly re-measure the follower count. It is a starting point for a look at follower quality, not a verdict on it.
- When does @la_Biennale post?
- Most posts go out around 09:00 UTC, and Monday is its busiest day, at roughly 1.9 posts per day across the measured window.