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桜井日奈子 engagement report

@hinako_incent - 397K followers on X

Measured over 11 original posts from a 30-day window, last computed on August 31, 2026.

Engagement

Top quarter for its size
Per follower
0.949%
of 397K followers
Per impression
3.79%
99K views on a typical post
Reach
25.0%
of its followers see a post
Typical post
3.8K
interactions (median)
Saved
0.067%
67 bookmarks on a typical post
Posting rate
0.73/day
active 50% of days
Peak time
13:00 UTC
Thursday

A typical post picks up 3.8K interactions against 397K followers, an engagement rate of 0.949%. Measured over 11 original posts, its engagement rate beats 87% of 3,899 tracked accounts of a similar size. Comparing inside a size band matters here: engagement rate falls as accounts grow, so a raw rate would mostly just re-measure the follower count. Posts are seen about 99K times each, and 3.79% of those impressions turn into an interaction. That is about 25.1% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 0.73 post a day over the last 30 days, with activity on roughly 50% of days. Most posts go out around 13:00 UTC, and Thursday is the busiest day of the week. Of the 11 posts sampled, 91% carry an image or video and 82% link out. The account's strongest tracked post pulled 15K interactions, about 4.1x its own typical post. Recurring topics include #ラストノート, #桜井日奈子, #死神バーバー.

Measured over 11 original posts from a 30-day window, last computed on August 31, 2026. Recurring tags: #ラストノート, #桜井日奈子, #死神バーバー.

Compared with accounts its own size

桜井日奈子's engagement rate beats 87% of the tracked X accounts closest to it in follower count (3,899 accounts, accounts of similar size (decile 6 of 10)). A percentile is spread evenly by construction, so 50 really is the middle of that group and 90 really is its top tenth.

On engagement per impression rather than per follower it beats 80% of the same group. When those two numbers disagree, the gap is about how far its posts travel rather than how people react to them.

Where this sits in the catalog

At 0.949%, 桜井日奈子 sits above the 75th percentile of the 37,701 accounts in this comparison. That places it in the top 25% band, which runs 0.439% to 2.10%.

p100.002%
p250.012%
p50 (median)0.081%
p750.439%
p902.10%
p99156.3%
Engagement rate as a share of followers, across the 37,701 accounts we have scanned enough to measure. The axis is logarithmic, because the top and bottom of this population are about 104,204 times apart and a linear axis would flatten everything below the median into a single point.
Show the percentile table
Engagement rate percentiles
PercentileEngagement rate
10th percentile0.002%
25th percentile0.012%
50th percentile0.081%
75th percentile0.439%
90th percentile2.10%
99th percentile156.3%

This ruler is the whole measured catalog, not a size-matched group: it shows where the raw rate falls across every account we can measure, all of which are large. For a like-for-like comparison, read the size-band percentile above instead. See how the bands are built

Posting timing

This account posts most often around 13:00 UTC, and Thursday is its busiest day of the week. The bars below are the catalog-wide pattern, with this account's own busiest slot marked. They do not show how this account performs at each hour: we keep one aggregate per account, not one per hour, so that measurement does not exist in our data.

Engagement by hour posted, UTCTwenty-four bars, one per UTC hour. Each bar shows how posts published in that hour compare with their own authors' median engagement. Bars above the centre line ran higher than the median, bars below ran lower. A marker flags Busiest hour: 13:00 UTC.
0003060912151821
Above the authors' own mediansBelowScale: plus or minus 6%Busiest hour: 13:00 UTC
Show engagement by hour posted, utc as a table
Engagement by hour posted, UTC
Hour (UTC)Vs author medianPosts
00:00 UTC-1%53K
01:00 UTC-2%53K
02:00 UTC-3%52K
03:00 UTC-4%55K
04:00 UTC-6%44K
05:00 UTC-4%43K
06:00 UTC-4%50K
07:00 UTC-5%54K
08:00 UTC-4%63K
09:00 UTC-3%72K
10:00 UTC-2%75K
11:00 UTC-3%81K
12:00 UTC-2%90K
13:00 UTC-2%98K
14:00 UTC-3%101K
15:00 UTC-2%105K
16:00 UTC-4%102K
17:00 UTC-3%95K
18:00 UTC-1%88K
19:00 UTC-2%83K
20:00 UTC-1%77K
21:00 UTC-1%69K
22:00 UTC-2%60K
23:00 UTC-2%53K
Engagement by day of weekSeven bars, one per weekday, Sunday first. Each bar shows how posts published on that day compare with their own authors' median engagement. Bars above the centre line ran higher than the median, bars below ran lower. A marker flags Busiest day: Thursday.
SunMonTueWedThuFriSat
Above the authors' own mediansBelowScale: plus or minus 5%Busiest day: Thursday
Show engagement by day of week as a table
Engagement by day of week
DayVs author medianPosts
Sunday+5%238K
Monday0%302K
Tuesday-3%302K
Wednesday-1%257K
Thursday-2%250K
Friday-3%259K
Saturday+3%233K
See what moves engagement across the whole catalogWhat counts as a good engagement rate at this size

Best tweets

  • Jul 4, 20264.1x their median

    ꒰ 本編映像予告 ꒱ 7月9日(木)よる10時𝐬𝐭𝐚𝐫𝐭𓂃 𓈒 木曜劇場『#ラストノート』 ⋆┈┈┈┈┈┈┈┈┈┈┈⋆ 初めての恋には名前があるのに、 人生最後にする恋には、名前がない。 ⋆┈┈┈┈┈┈┈┈┈┈┈┈┈┈⋆ #内田有紀 × #寺西拓人 W主演💐 #フジテレビ #TVer お気に入り登録はこちら⟡.· https://t.co/2tIsQnNhIc

    12K2.5K1154923.3M viewsView on X
  • Aug 13, 20263.3x their median

    ꒰ 次回予告 ꒱ ⁡ 葵と澄晴の⁡想いが重なる熱帯夜。 優子は眞澄に協力を持ちかける...。 ⋆┈┈┈┈┈┈┈┈┈┈┈┈┈┈⋆ 第7話 8月20日(木)よる10時𓂃 𓈒 木曜劇場『#ラストノート』 #TVer 1〜3&6話無料見逃し配信中⟡.· https://t.co/2tIsQnMJSE ⋆┈┈┈┈┈┈┈┈┈┈┈┈┈┈⋆ #内田有紀 × #寺西拓人 W主演💐 #フジテレビ

    9.8K2.0K1187281.4M viewsView on X
  • May 13, 20262.2x their median

    ▱▰▱▰▱▰▱▰▱▰▱▰▱▰▱   映画『#死神バーバー』    ✂️本予告解禁✂️ ▰▱▰▱▰▱▰▱▰▱▰▱▰▱▰▱ 余命数日となったヒロイン・美帆(桜井日奈子)と 新米死神・サクマ(日穏)の奇妙で愛おしい日々。 様々な出会いと別れを見つめながら 美帆とサクマが辿り着いた答えとは―? 💈6/26(金)公開 主演 #桜井日奈子×#日穏 主題歌 #FuruiRiho「#太陽になれたら」 監督 #いまおかしんじ https://t.co/htNUEMcpWU

    6.8K1.0K13257700K viewsView on X
  • Aug 20, 20262.1x their median

    ꒰ 次回予告 ꒱ ⁡ 莉奈がずっと葵に相談していた 元彼は澄晴だった。 夏の終わり、迫られる選択とは...? ⋆┈┈┈┈┈┈┈┈┈┈┈┈┈┈⋆ 第8話 8月27日(木)よる10時𓂃 𓈒 木曜劇場『#ラストノート』 #TVer 1〜3&7話無料見逃し配信中⟡.· https://t.co/2tIsQnNhIc ⋆┈┈┈┈┈┈┈┈┈┈┈┈┈┈⋆ #内田有紀 × #寺西拓人 W主演💐 #フジテレビ

    6.5K1.3K48171970K viewsView on X
  • Aug 6, 20261.9x their median

    ꒰ 次回予告 ꒱ ⁡ 葵がずっと助けられてきたピオニーの絵は 13年前に澄晴が描いたものだった。 想いを伝えた澄晴に、葵は...? ⋆┈┈┈┈┈┈┈┈┈┈┈┈┈┈⋆ 第6話 8月13日(木)よる10時𓂃 𓈒 木曜劇場『#ラストノート』 #TVer 1〜3&5話無料見逃し配信中⟡.· https://t.co/2tIsQnNhIc ⋆┈┈┈┈┈┈┈┈┈┈┈┈┈┈⋆ #内田有紀 × #寺西拓人 W主演💐 #フジテレビ

    5.7K1.1K4784894K viewsView on X
  • Aug 14, 2026

    桜井日奈子2027カレンダー🗓️ 予約始まってます🙆‍♀️ ①セブンネットショッピングでは通常表紙版カレンダーと限定表紙版カレンダーをセットでお届け! 限定表紙版に直筆サインを入れちゃいます!! ⚠︎8/16までの締切分まで https://t.co/3Lb7fr8fZy ②セブンネットショッピングで生写真付き限定表紙版カレンダーの予約を受付中! ※楽天ブックスの生写真とは絵柄が異なります https://t.co/lBwQnJbJJ7 ③楽天ブックスで生写真付き限定表紙版カレンダーの予約を受付中! ※セブンネットショッピングの生写真とは絵柄が異なります https://t.co/tTVB8EzNWB

    4.7K15131899K viewsView on X
  • Apr 12, 2026

    \❤️‍🔥本編映像初解禁❤️‍🔥/ #余命3ヶ月のサレ夫 番組PRがついに解禁✨ ー余命宣告され絶望する夫、 そのとき妻は不倫に溺れていたー TVer、番組HPでは 120秒のロングVerもご覧いただけます👀 https://t.co/37fxhkzKr8 禁断の《リベンジ・ラブサスペンス》 スタートまであと少し! TVerお気に入り登録もぜひ🥂 ♦•*•• ━━━━ #金曜ナイトドラマ 「#余命3ヶ月のサレ夫」 4月24日(金)よる11時15分スタート‼️ ━━━•• *•♦ #余命サレ夫

    4.0K71513176781K viewsView on X
  • Jun 12, 2026

    「余命3ヶ月のサレ夫」最終回 最後まで観て下さってありがとうございました。 #余命3ヶ月のサレ夫 https://t.co/FbRwF9HPtl

    3.9K25110522194K viewsView on X
  • Aug 24, 2026

    カレンダー発売日イベントの予約が始まりました🙋‍♀️ 9月20日(日)にSHIBUYA TSUTAYA 10月10日(土)magma books(虎ノ門ヒルズ) 会いに来てもらえると嬉しいです🍻 https://t.co/o60GUimoU5 #桜井日奈子2027カレンダー https://t.co/1GiCgNKDWb

    3.8K11433456K viewsView on X
  • Aug 19, 2026

    桜井日奈子2027カレンダー 直筆サイン入りの受付が今日までです🙏 良かったらどうぞ🥸 https://t.co/i7UyedNfvD #桜井日奈子2027カレンダー https://t.co/3fNOx8AHTh

    3.6K11920256K viewsView on X

Ranked by total interactions across everything we have tracked for this account, which is a longer history than the 30-day window the rates above use. The multiple compares each post to this account's own median.

Recurring topics

#ラストノート#桜井日奈子#死神バーバー#tver#かまいたちの瞬間回答

The most frequent hashtags in the sampled posts. They describe what this account writes about; they are not a performance signal, and the catalog-wide breakdown on the hub shows how little hashtag count moves.

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Reading these numbers

A typical post picks up 3.8K interactions against 397K followers, an engagement rate of 0.949%. Measured over 11 original posts, its engagement rate beats 87% of 3,899 tracked accounts of a similar size. Comparing inside a size band matters here: engagement rate falls as accounts grow, so a raw rate would mostly just re-measure the follower count. Posts are seen about 99K times each, and 3.79% of those impressions turn into an interaction. That is about 25.1% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 0.73 post a day over the last 30 days, with activity on roughly 50% of days. Most posts go out around 13:00 UTC, and Thursday is the busiest day of the week. Of the 11 posts sampled, 91% carry an image or video and 82% link out. The account's strongest tracked post pulled 15K interactions, about 4.1x its own typical post. Recurring topics include #ラストノート, #桜井日奈子, #死神バーバー.

What is 桜井日奈子's engagement rate on X?
桜井日奈子 (@hinako_incent) has an engagement rate of 0.949%, based on the median interactions across 11 original posts from the last 30 days against 396,718 followers. Replies, reposts and quote-posts of other people are excluded from that sample.
Is that a good engagement rate?
At 0.949%, 桜井日奈子 sits above the 75th percentile of the 37,701 accounts in this comparison. Those comparison accounts are all large ones, because our scanning cadence is weighted towards big accounts, so this is a ranking among peers of similar scale rather than a ranking across X.
Does @hinako_incent have real engagement?
Its engagement rate beats 87% of the tracked X accounts closest to it in follower count (3,899 accounts), which puts it in the top quarter for its size group. Ranking inside a size band matters because engagement rate falls as accounts grow, so a raw rate would mostly re-measure the follower count. It is a starting point for a look at follower quality, not a verdict on it.
When does @hinako_incent post?
Most posts go out around 13:00 UTC, and Thursday is its busiest day, at roughly 0.73 posts per day across the measured window.

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