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Museo Diego Rivera Anahuacalli engagement report

@anahuacalli - 513K followers on X

Measured over 12 original posts from a 30-day window, last computed on August 27, 2026.

Engagement

Bottom quarter for its size
Per follower
0.002%
of 513K followers
Per impression
0.9%
1.1K views on a typical post
Reach
0.21%
of its followers see a post
Typical post
10
interactions (median)
Saved
0%
0 bookmarks on a typical post
Posting rate
0.4/day
active 37% of days
Peak time
00:00 UTC
Tuesday

A typical post picks up 10 interactions against 513K followers, an engagement rate of 0.002%. Measured over 12 original posts, its engagement rate beats 13% of 3,882 tracked accounts of a similar size. That is a reason to look at how the audience behaves - reply depth, saves, whether the followers are recent - rather than a conclusion about it on its own. Posts are seen about 1.1K times each, and 0.9% of those impressions turn into an interaction. That is about 0.206% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 0.4 posts a day over the last 30 days, though only 37% of days saw any activity at all. Most posts go out around 00:00 UTC, and Tuesday is the busiest day of the week. Of the 12 posts sampled, 100% carry an image or video and 42% link out. The account's strongest tracked post pulled 453 interactions, about 45x its own typical post.

Measured over 12 original posts from a 30-day window, last computed on August 27, 2026. Recurring tag: #anahuacalli.

Compared with accounts its own size

Museo Diego Rivera Anahuacalli's engagement rate beats 13% of the tracked X accounts closest to it in follower count (3,882 accounts, accounts of similar size (decile 7 of 10)). A percentile is spread evenly by construction, so 50 really is the middle of that group and 90 really is its top tenth.

On engagement per impression rather than per follower it beats 47% of the same group. When those two numbers disagree, the gap is about how far its posts travel rather than how people react to them.

Where this sits in the catalog

At 0.002%, Museo Diego Rivera Anahuacalli sits above the 10th percentile of the 37,701 accounts in this comparison. That places it in the bottom 25% band, which runs below 0.012%.

p100.002%
p250.012%
p50 (median)0.081%
p750.439%
p902.10%
p99156.3%
Engagement rate as a share of followers, across the 37,701 accounts we have scanned enough to measure. The axis is logarithmic, because the top and bottom of this population are about 104,204 times apart and a linear axis would flatten everything below the median into a single point.
Show the percentile table
Engagement rate percentiles
PercentileEngagement rate
10th percentile0.002%
25th percentile0.012%
50th percentile0.081%
75th percentile0.439%
90th percentile2.10%
99th percentile156.3%

This ruler is the whole measured catalog, not a size-matched group: it shows where the raw rate falls across every account we can measure, all of which are large. For a like-for-like comparison, read the size-band percentile above instead. See how the bands are built

Posting timing

This account posts most often around 00:00 UTC, and Tuesday is its busiest day of the week. The bars below are the catalog-wide pattern, with this account's own busiest slot marked. They do not show how this account performs at each hour: we keep one aggregate per account, not one per hour, so that measurement does not exist in our data.

Engagement by hour posted, UTCTwenty-four bars, one per UTC hour. Each bar shows how posts published in that hour compare with their own authors' median engagement. Bars above the centre line ran higher than the median, bars below ran lower. A marker flags Busiest hour: 00:00 UTC.
0003060912151821
Above the authors' own mediansBelowScale: plus or minus 6%Busiest hour: 00:00 UTC
Show engagement by hour posted, utc as a table
Engagement by hour posted, UTC
Hour (UTC)Vs author medianPosts
00:00 UTC-1%53K
01:00 UTC-2%53K
02:00 UTC-3%52K
03:00 UTC-4%55K
04:00 UTC-6%44K
05:00 UTC-4%43K
06:00 UTC-4%50K
07:00 UTC-5%54K
08:00 UTC-4%63K
09:00 UTC-3%72K
10:00 UTC-2%75K
11:00 UTC-3%81K
12:00 UTC-2%90K
13:00 UTC-2%98K
14:00 UTC-3%101K
15:00 UTC-2%105K
16:00 UTC-4%102K
17:00 UTC-3%95K
18:00 UTC-1%88K
19:00 UTC-2%83K
20:00 UTC-1%77K
21:00 UTC-1%69K
22:00 UTC-2%60K
23:00 UTC-2%53K
Engagement by day of weekSeven bars, one per weekday, Sunday first. Each bar shows how posts published on that day compare with their own authors' median engagement. Bars above the centre line ran higher than the median, bars below ran lower. A marker flags Busiest day: Tuesday.
SunMonTueWedThuFriSat
Above the authors' own mediansBelowScale: plus or minus 5%Busiest day: Tuesday
Show engagement by day of week as a table
Engagement by day of week
DayVs author medianPosts
Sunday+5%238K
Monday0%302K
Tuesday-3%302K
Wednesday-1%257K
Thursday-2%250K
Friday-3%259K
Saturday+3%233K
See what moves engagement across the whole catalogWhat counts as a good engagement rate at this size

Best tweets

  • Jul 1, 202645x their median

    ¡México vs Inglaterra se vive en el Anahuacalli! ⚽🇲🇽 Domingo 5 de julio, 2026; vivamos juntos un momento histórico: acompañar a la selección mexicana como una sola nación. Transmisión 18:00 h | Accesos 16:00 h Entrada gratuita con registro previo en https://t.co/LwxKFIdTSD Cupo limitado. No se permite ingresar con alimentos ni bebidas. Los accesos cerrarán al inicio del partido.

    402414619K viewsView on X
  • Aug 14, 202621x their median

    El Anahuacalli fue concebido por Diego Rivera como una pirámide de piedra volcánica, integrada al paisaje del Pedregal. Su arquitectura retoma formas mesoamericanas para crear un espacio donde arte, tierra y memoria conviven. Es una construcción pensada para mantener activo el diálogo entre el pasado y el presente.

    16241124.2K viewsView on X
  • Jun 2, 202611x their median

    El ulama (Juego de pelota) vuelve a sentirse en el Anahuacalli. 🪨⚽️ En este video presentamos una representación del juego de pelota tradicional, una práctica ancestral que sigue viva en el movimiento, la fuerza y la memoria de México. Este 11 de junio, acompáñanos a vivir el partido inaugural de México en Anahuacalli Mundialista 2026: futbol, actividades culturales y convivencia familiar en un museo único. 🎟️ Registro gratuito en https://t.co/LwxKFIdTSD

    9319116.7K viewsView on X
  • Jul 30, 20267.4x their median

    Desde el #Anahuacalli celebramos los 101 años de vida del Mtro. Arturo Estrada, alumno y colaborador de Diego Rivera, y discípulo de Frida Kahlo como integrante de “Los Fridos”. Para felicitarlo, compartimos este boceto del Anahuacalli, realizado por el propio Mtro. Estrada, quien también participó en distintos trabajos de construcción y diseño de mosaicos del museo junto a Diego Rivera. Feliz cumpleaños #ArturoEstrada  Reciba nuestro reconocimiento, cariño y gratitud por una vida dedicada al arte mexicano. 🎉

    6113002.6K viewsView on X
  • Jul 24, 20266.5x their median

    "El agua es el elemento más básico de la vida... donde los cuerpos irían a volver a nacer." 🌊🕊️ Conoce el nivel supraterrenal del Museo Anahuacalli, descubre una reflexión sobre la regeneración, la tierra y la naturaleza que propone Lorena Ancona a través de sus esculturas creando un diálogo con nuestra arquitectura, su obra y las piezas de arte prehispánicas.  𝘖𝘫𝘰𝘴 𝘤𝘰𝘮𝘰 𝘱𝘰𝘻𝘰𝘴, 𝘣𝘰𝘤𝘢 𝘤𝘰𝘮𝘰 𝘤𝘶𝘦𝘷𝘢. Exposición individual por Lorena Ancona Visítala hasta el 06 de septiembre.

    5213004.0K viewsView on X
  • Aug 6, 20264.6x their median

    Descubre la Exposición: "Ojos como pozos, boca como cueva" de Lorena Ancona. Las piezas cerámicas, reúnen ojos, bocas, cavidades y formas orgánicas que dialogan con la piedra y con la narrativa de cada nivel del Museo. Cada detalle invita a mirar más cerca: superficies, aberturas y volúmenes que emergen entre la oscuridad y la luz.  Visítala hasta el 09 de septiembre.

    379002.1K viewsView on X
  • Aug 17, 20263.4x their median

    Según el mito mexica, Quetzalcóatl y Tezcatlipoca desmembraron a la deidad Tlaltecuhtli para crear el cielo y la tierra. Sus restos se transformaron en paisaje: sus cabellos en ríos, sus ojos en pozos y sus bocas en cuevas, representando la fertilidad y la voracidad alimentada por sacrificios. Así como la tierra y el firmamento nacieron del cuerpo fragmentado de Tlaltecuhtli, la verdadera reencarnación cultural exige abrazar nuestras raíces primordiales, la oscuridad y la luz para convertir los restos del pasado en el terreno fértil de una nueva creación. 𝘖𝘫𝘰𝘴 𝘤𝘰𝘮𝘰 𝘱𝘰𝘻𝘰𝘴 𝘣𝘰𝘤𝘢 𝘤𝘰𝘮𝘰 𝘤𝘶𝘦𝘷𝘢. Exposición individual de Lorena Ancona. Curadora: Karla Niño de Rivera Visita esta exposición en el Museo Anahuacalli hasta el 06 de septiembre. 📷: @fuadsmeke

    277001.8K viewsView on X
  • Apr 17, 20263.1x their median

    Una serpiente atraviesa el Museo Anahuacalli en la pieza "90° hacia el infinito" de Rafa Esparza Esta pieza utiliza a la serpiente no solo como figura, sino como una metáfora de movilidad y transcendencia, parecido a como también lo hace Diego Rivera en los plafones del Museo donde el único animal que se puede ver en todos los pisos es la víbora.  Al cruzar el edificio, la estructura de la serpiente rompe con la lógica habitual del recorrido laberíntico del Anahuacalli, desestabilizando el orden visual del museo. Aunque el adobe es un material de construcción, aquí se utiliza por su capacidad escultórica. Es tierra que contiene historia y memoria colectiva. El artista aprendió a trabajar este material de su padre, Ramón Esparza. Esta colaboración técnica no solo dio vida a la obra, sino que redefinió su propio lazo familiar a través del oficio. Conoce más piezas y detalles de esta exposición en colaboracion entre Rafa Esparza y Beatriz Cortez en "La rebelión de los objetos" en el Museo Anahuacalli.  ◣◥◣◥◤◢◤◢◣◥◣◥◤◢◤◢◣◥◣◥◤◢◤◢ A serpent traverses the Anahuacalli Museum in the piece "90° hacia el infinito" (90° Toward the Infinity) by Rafa Esparza. This work utilizes the serpent not merely as a figure, but as a metaphor for mobility and transcendence—echoing the vision of Diego Rivera in the museum's ceilings, where the snake is the only animal visible across every floor. By cutting through the building, the serpent’s structure breaks the usual logic of Anahuacalli’s labyrinthine layout, destabilizing the museum's visual order. Material and Memory While adobe is typically a construction material, it is used here for its sculptural capacity. It is earth that carries history and collective memory. The artist learned to work with this medium from his father, Ramón Esparza. This technical collaboration did more than just bring the piece to life; it redefined their own family bond through the mastery of the craft. Discover more: Explore further pieces and details of this collaboration between Rafa Esparza and Beatriz Cortez in the exhibition "The Rebellion of the Objects" at the Anahuacalli Museum.

    301001.4K viewsView on X
  • Jun 25, 20262.5x their median

    ¡Ven a vivirlo tu mismo! Aparta tu lugar para el próximo partido de México desde: https://t.co/FtIuAckaKl https://t.co/zIZx93Ke1K

    205001.2K viewsView on X
  • Aug 4, 20262.0x their median

    🎨✂️ ¡Dale vida al papel y crea tu propia pieza! Aprende el tradicional arte de la cartonería desde cero y dale forma a tu imaginación. No necesitas experiencia previa. Costo: $700 mxn. Incluye todos los materiales. 6 sesiones (tu eliges de los horarios disponibles cuando asistir a tus sesiones). Inscríbete desde: https://t.co/oFPSCtQHLn

    173001.0K viewsView on X

Ranked by total interactions across everything we have tracked for this account, which is a longer history than the 30-day window the rates above use. The multiple compares each post to this account's own median.

Recurring topics

#anahuacalli

The most frequent hashtags in the sampled posts. They describe what this account writes about; they are not a performance signal, and the catalog-wide breakdown on the hub shows how little hashtag count moves.

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Reading these numbers

A typical post picks up 10 interactions against 513K followers, an engagement rate of 0.002%. Measured over 12 original posts, its engagement rate beats 13% of 3,882 tracked accounts of a similar size. That is a reason to look at how the audience behaves - reply depth, saves, whether the followers are recent - rather than a conclusion about it on its own. Posts are seen about 1.1K times each, and 0.9% of those impressions turn into an interaction. That is about 0.206% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 0.4 posts a day over the last 30 days, though only 37% of days saw any activity at all. Most posts go out around 00:00 UTC, and Tuesday is the busiest day of the week. Of the 12 posts sampled, 100% carry an image or video and 42% link out. The account's strongest tracked post pulled 453 interactions, about 45x its own typical post.

What is Museo Diego Rivera Anahuacalli's engagement rate on X?
Museo Diego Rivera Anahuacalli (@anahuacalli) has an engagement rate of 0.002%, based on the median interactions across 12 original posts from the last 30 days against 513,062 followers. Replies, reposts and quote-posts of other people are excluded from that sample.
Is that a good engagement rate?
At 0.002%, Museo Diego Rivera Anahuacalli sits above the 10th percentile of the 37,701 accounts in this comparison. Those comparison accounts are all large ones, because our scanning cadence is weighted towards big accounts, so this is a ranking among peers of similar scale rather than a ranking across X.
Does @anahuacalli have real engagement?
Its engagement rate beats 13% of the tracked X accounts closest to it in follower count (3,882 accounts), which puts it in the bottom quarter for its size group. Ranking inside a size band matters because engagement rate falls as accounts grow, so a raw rate would mostly re-measure the follower count. It is a starting point for a look at follower quality, not a verdict on it.
When does @anahuacalli post?
Most posts go out around 00:00 UTC, and Tuesday is its busiest day, at roughly 0.4 posts per day across the measured window.

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