Stage 32 engagement report
@Stage32 - 164K followers on X
Measured over 39 original posts from a 30-day window, last computed on October 24, 2026.
Engagement
A typical post picks up 10 interactions against 164K followers, an engagement rate of 0.006%. Measured over 39 original posts, its engagement rate beats 15% of 20,444 tracked accounts of a similar size. That is a reason to look at how the audience behaves - reply depth, saves, whether the followers are recent - rather than a conclusion about it on its own. Posts are seen about 788 times each, and 1.27% of those impressions turn into an interaction. That is about 0.481% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 2.7 posts a day over the last 30 days, with activity on almost every day in the window. Most posts go out around 16:00 UTC, and Wednesday is the busiest day of the week. Of the 39 posts sampled, 100% carry an image or video and 77% are part of a thread. The account's strongest tracked post pulled 3.7K interactions, about 366x its own typical post. Recurring topics include #stage32, #acting, #austinfilmfestival.
Measured over 39 original posts from a 30-day window, last computed on October 24, 2026. Recurring tags: #stage32, #acting, #austinfilmfestival.
Compared with accounts its own size
Stage 32's engagement rate beats 15% of the tracked X accounts closest to it in follower count (20,444 accounts, accounts of similar size (decile 8 of 10)). A percentile is spread evenly by construction, so 50 really is the middle of that group and 90 really is its top tenth.
On engagement per impression rather than per follower it beats 48% of the same group. When those two numbers disagree, the gap is about how far its posts travel rather than how people react to them.
Where this sits in the catalog
At 0.006%, Stage 32 sits above the 10th percentile of the 205,374 accounts in this comparison. That places it in the bottom 25% band, which runs below 0.024%.
Show the percentile table
| Percentile | Engagement rate |
|---|---|
| 10th percentile | 0.004% |
| 25th percentile | 0.024% |
| 50th percentile | 0.143% |
| 75th percentile | 0.678% |
| 90th percentile | 2.55% |
| 99th percentile | 82.4% |
This ruler is the whole measured catalog, not a size-matched group: it shows where the raw rate falls across every account we can measure, all of which are large. For a like-for-like comparison, read the size-band percentile above instead. See how the bands are built
Posting timing
This account posts most often around 16:00 UTC, and Wednesday is its busiest day of the week. The bars below are the catalog-wide pattern, with this account's own busiest slot marked. They do not show how this account performs at each hour: we keep one aggregate per account, not one per hour, so that measurement does not exist in our data.
Show engagement by hour posted, utc as a table
| Hour (UTC) | Vs author median | Posts |
|---|---|---|
| 00:00 UTC | -1% | 89K |
| 01:00 UTC | -2% | 90K |
| 02:00 UTC | -3% | 88K |
| 03:00 UTC | -4% | 94K |
| 04:00 UTC | -5% | 76K |
| 05:00 UTC | -4% | 75K |
| 06:00 UTC | -5% | 86K |
| 07:00 UTC | -5% | 93K |
| 08:00 UTC | -4% | 108K |
| 09:00 UTC | -4% | 124K |
| 10:00 UTC | -3% | 129K |
| 11:00 UTC | -3% | 141K |
| 12:00 UTC | -3% | 154K |
| 13:00 UTC | -3% | 167K |
| 14:00 UTC | -4% | 173K |
| 15:00 UTC | -2% | 176K |
| 16:00 UTC | -3% | 171K |
| 17:00 UTC | -3% | 159K |
| 18:00 UTC | -2% | 149K |
| 19:00 UTC | -2% | 141K |
| 20:00 UTC | -1% | 131K |
| 21:00 UTC | 0% | 116K |
| 22:00 UTC | -2% | 100K |
| 23:00 UTC | -1% | 90K |
Show engagement by day of week as a table
| Day | Vs author median | Posts |
|---|---|---|
| Sunday | +5% | 393K |
| Monday | +1% | 483K |
| Tuesday | -2% | 520K |
| Wednesday | -3% | 472K |
| Thursday | -2% | 430K |
| Friday | -3% | 447K |
| Saturday | +2% | 393K |
Formats this account uses
Its own posting mix on the left, and what each of those formats does across every account we track on the right. Only formats where the effect clears our publish test appear here, so an empty row is a format we could not measure rather than one that does nothing.
| Format | This account | Catalog effect | 95% interval | Accounts behind it |
|---|---|---|---|---|
| Image or video | 100% of posts | +111% | +108% to +115% | 34K |
| Outbound link | 3% of posts | -41% | -42% to -40% | 32K |
| Typical length | - | +15% | +14% to +16% | 32K |
- 100% of this account's sampled posts carry an image or video. Across the catalog, posts with an image or video run 111% above the same accounts' other posts.
- 3% of its posts carry a link off X. Across the catalog, posts with an outbound link run 41% below the same accounts' other posts.
- Its average post runs 383 characters, which falls in the over 280 characters band. Across the catalog, posts over 280 characters run 15% above the same accounts' other posts.
These are catalog-wide differences applied to this account's own posting mix, not a measurement of how each format performs for this account specifically. We keep one median per account, not one per format per account, so the second thing is not something this data can tell you.
Best tweets
- Sep 17, 2026366x their median
People don’t burn out from doing too much. They burn out from doing too little of what matters.
- Oct 6, 202611x their median
At 53, Lisa Steadman stopped waiting for Hollywood to greenlight her. Her first short as a director, TAINTED LOVE, won the Stage 32 Short Film Contest Grand Prize. That put it on screen at the TCL Chinese Theatre, red carpet and all, at the Oscar- and BAFTA-qualifying HollyShorts Film Festival. What are you waiting for someone else to greenlight? Link to read Lisa's full story is in the first comment. #stage32 #shortfilm
- Oct 10, 202611x their median
"You can't wait for someone to give you permission to tell your story." Regina King won the Oscar for IF BEALE STREET COULD TALK, has four Emmys, and made her feature directing debut with ONE NIGHT IN MIAMI. What's the story you've been waiting for permission to tell? #stage32 #filmmaking
- Sep 12, 20265.8x their median
Tim Curry opened his memoir by pointing out that in Shakespeare's day, people of the stage were considered rogues and vagabonds. Then he added that he always rather liked that. He spent fifty years earning it. Frank-N-Furter, first on stage and then in a film that flopped so badly he thought his movie career was finished. He said he was crushed. It became a midnight ritual for generations and gave a lot of teenagers permission to be different. Then Wadsworth. Pennywise. Rooster in Annie. Mozart on Broadway. King Arthur in Spamalot. Hundreds of cartoon and video game roles a whole generation grew up on without knowing his face. He never wanted an audience to think, there he is. He wanted to disappear into the character. A stroke in 2012 took his speech. He learned to talk again and kept working. Tim Curry died August 25th at 80. Almost nothing in that filmography resembles anything else in it, which was the entire point. Which one got to you first? #stage32
- Sep 19, 20262.7x their median
Hayden Panettiere was working before she could speak. Commercials at eleven months old. Soap operas as a child. Remember the Titans at ten. The voice of Dot in A Bug's Life. Then Claire Bennet on Heroes. Then Juliette Barnes on Nashville, singing every note herself, and a Golden Globe nomination for it. Then Kirby Reed in Scream, a character audiences wanted back badly enough that she came back. Thirty-five years of work. There was never one arrival. A child performer, then a teenager finding adult roles, then a series lead, then a horror icon. Each one meant becoming someone she had not been yet. Which is why that line is not advice. It is a description of what this work is. If you have been at this a decade and still feel like you are starting, that is not a sign you are behind. That is the cycle, from inside it. Don't give up. Which chapter are you in? #stage32
- Sep 18, 20262.2x their median
Right now thousands of creatives are introducing themselves in the Stage 32 Introduce Yourself Lounge. Free, open to everyone, running today through Monday. Who is in that room: writers, directors, producers, actors, crew, composers, editors, animators. Reps, financiers, distributors, publishers, studio executives. 1.5 million members across 190 countries. For one weekend nobody is a stranger. You do not need a perfect introduction. Who you are and where you are. What you are working on. What you are looking for. And something about you that is not a credit. Then read a few others and say hello back. There is a prize too. Invite one person, post your own intro, then share the link to it in the Week 3 Creative Army conversation in the Producing Lounge or email [email protected]. Every member who does gets a free First 10 Pages Review with an executive of their choice. Closes end of day Sunday. Where in the world are you reading this from? Link is in the first comment. #stage32
- Sep 11, 20262.2x their median
Executives who work with Netflix, HBO, Paramount, Sony, FX, Hulu, WME, and Hartbeat Studios are taking pitches on Stage 32 right now. This week you can get in front of one for free. Every member who completes this week's Creative Army mission gets a Pitch Session. Not a drawing. You pick the executive. Pitch live, or submit a written pitch. They tell you what landed, what did not, and why. If it fits a current mandate, they can request to read more. What it costs you: two text messages. Invite two friends or collaborators to Stage 32, then tell us who in the Producing Lounge. Under five minutes. Code is good through the end of the year. Week 2 closes Sunday. Which executive would you want to pitch to? The link to learn more is in the first comment. #stage32
- Oct 13, 20262.1x their median
Got a series or film in development? This Wednesday, you can ask Whitney Davis anything about how a project gets from idea to sale. She's co-EP of TRUE LIES and MIKE, and nearly every project on her slate came from creators she met on Stage 32. It's FREE, it runs 24 hours, and it's write-in, so any time zone works. Tag a writer who needs to see this. Link to ask Whitney your question is in the first comment.
- Sep 30, 20262.0x their median
A strong script gives great performers room to play. Here's the proof. Neither of these lines was written. Both made the final cut. Matthew Rhys on improvising with Hamish Linklater in WIDOW'S BAY: "Olympic-grade. Like, you don't stand a chance." Stay for the scene. It all started with a pilot that won the writing Emmy. On October 7th at 4pm PT, Nicholas Bogner, Head of Literary at Affirmative Entertainment, breaks that pilot down live. Free, exclusively on Stage 32. Tag the friend who can't keep a straight face. How to get your free spot is in the first comment. #stage32 #WidowsBay
- Sep 5, 20262.0x their median
Dolly Parton's talent was undeniable, but it wasn't the trait she most valued or considered her strength. Courage and "guts" won out every time, because it takes far more than talent to have a lasting career in the arts. She left the mountains of East Tennessee at eighteen with no safety net. She turned down Elvis Presley when his manager demanded half the publishing on "I Will Always Love You," a decision that looked stubborn at the time and made her one of the wealthiest songwriters in history. She kept moving into rooms nobody had invited her into. Pop, film, Broadway, a rock album at seventy-seven. Her nerve and the belief she had in herself took her further than she could ever imagine. Dolly Parton died August 25th at 80. She leaves more than 3,000 songs, a library that has put over 200 million free books in children's hands, a theme park, and generations of creatives who understood from watching her that being underestimated was survivable. If you are sitting on something because you are not sure you are good enough, she would tell you that was never the question. So tell us, what is the gutsiest thing you have done for your career? #stage32
Ranked by total interactions across everything we have tracked for this account, which is a longer history than the 30-day window the rates above use. The multiple compares each post to this account's own median.
Recurring topics
The most frequent hashtags in the sampled posts. They describe what this account writes about; they are not a performance signal, and the catalog-wide breakdown on the hub shows how little hashtag count moves.
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Reading these numbers
A typical post picks up 10 interactions against 164K followers, an engagement rate of 0.006%. Measured over 39 original posts, its engagement rate beats 15% of 20,444 tracked accounts of a similar size. That is a reason to look at how the audience behaves - reply depth, saves, whether the followers are recent - rather than a conclusion about it on its own. Posts are seen about 788 times each, and 1.27% of those impressions turn into an interaction. That is about 0.481% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 2.7 posts a day over the last 30 days, with activity on almost every day in the window. Most posts go out around 16:00 UTC, and Wednesday is the busiest day of the week. Of the 39 posts sampled, 100% carry an image or video and 77% are part of a thread. The account's strongest tracked post pulled 3.7K interactions, about 366x its own typical post. Recurring topics include #stage32, #acting, #austinfilmfestival.
- What is Stage 32's engagement rate on X?
- Stage 32 (@Stage32) has an engagement rate of 0.006%, based on the median interactions across 39 original posts from the last 30 days against 163,844 followers. Replies, reposts and quote-posts of other people are excluded from that sample.
- Is that a good engagement rate?
- At 0.006%, Stage 32 sits above the 10th percentile of the 205,374 accounts in this comparison. Those comparison accounts are all large ones, because our scanning cadence is weighted towards big accounts, so this is a ranking among peers of similar scale rather than a ranking across X.
- Does @Stage32 have real engagement?
- Its engagement rate beats 15% of the tracked X accounts closest to it in follower count (20,444 accounts), which puts it in the bottom quarter for its size group. Ranking inside a size band matters because engagement rate falls as accounts grow, so a raw rate would mostly re-measure the follower count. It is a starting point for a look at follower quality, not a verdict on it.
- When does @Stage32 post?
- Most posts go out around 16:00 UTC, and Wednesday is its busiest day, at roughly 2.67 posts per day across the measured window.