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小島秀夫 engagement report

@Kojima_Hideo - 1.6M followers on X

Measured over 109 original posts from a 30-day window, last computed on October 25, 2026.

Engagement

Middle of its size range
Per follower
0.024%
of 1.6M followers
Per impression
0.887%
43K views on a typical post
Reach
2.67%
of its followers see a post
Typical post
378
interactions (median)
Saved
0.03%
13 bookmarks on a typical post
Posting rate
33.53/day
active 103% of days
Peak time
13:00 UTC
Friday

A typical post picks up 378 interactions against 1.6M followers, an engagement rate of 0.024%. Measured over 109 original posts, its engagement rate beats 47% of 20,444 tracked accounts of a similar size, which puts it in the middle of its size range rather than at either end. Posts are seen about 43K times each, and 0.887% of those impressions turn into an interaction. That is about 2.67% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 33.5 posts a day over the last 30 days, with activity on almost every day in the window. Most posts go out around 13:00 UTC, and Friday is the busiest day of the week. Of the 109 posts sampled, 86% carry an image or video and 25% link out. The account's strongest tracked post pulled 138K interactions, about 365x its own typical post. Recurring topics include #deathstranding2, #deathstranding, #kojimaproductions.

Measured over 109 original posts from a 30-day window, last computed on October 25, 2026. Recurring tags: #deathstranding2, #deathstranding, #kojimaproductions.

Compared with accounts its own size

小島秀夫's engagement rate beats 47% of the tracked X accounts closest to it in follower count (20,444 accounts, accounts of similar size (decile 10 of 10)). A percentile is spread evenly by construction, so 50 really is the middle of that group and 90 really is its top tenth.

On engagement per impression rather than per follower it beats 44% of the same group. When those two numbers disagree, the gap is about how far its posts travel rather than how people react to them.

Where this sits in the catalog

At 0.024%, 小島秀夫 sits above the 10th percentile of the 204,491 accounts in this comparison. That places it in the bottom 25% band, which runs below 0.024%.

p100.004%
p250.024%
p50 (median)0.143%
p750.677%
p902.55%
p9982.4%
Engagement rate as a share of followers, across the 204,491 accounts we have scanned enough to measure. The axis is logarithmic, because the top and bottom of this population are about 22,891 times apart and a linear axis would flatten everything below the median into a single point.
Show the percentile table
Engagement rate percentiles
PercentileEngagement rate
10th percentile0.004%
25th percentile0.024%
50th percentile0.143%
75th percentile0.677%
90th percentile2.55%
99th percentile82.4%

This ruler is the whole measured catalog, not a size-matched group: it shows where the raw rate falls across every account we can measure, all of which are large. For a like-for-like comparison, read the size-band percentile above instead. See how the bands are built

Posting timing

This account posts most often around 13:00 UTC, and Friday is its busiest day of the week. The bars below are the catalog-wide pattern, with this account's own busiest slot marked. They do not show how this account performs at each hour: we keep one aggregate per account, not one per hour, so that measurement does not exist in our data.

Engagement by hour posted, UTCTwenty-four bars, one per UTC hour. Each bar shows how posts published in that hour compare with their own authors' median engagement. Bars above the centre line ran higher than the median, bars below ran lower. A marker flags Busiest hour: 13:00 UTC.
0003060912151821
Above the authors' own mediansBelowScale: plus or minus 111%Busiest hour: 13:00 UTC
Show engagement by hour posted, utc as a table
Engagement by hour posted, UTC
Hour (UTC)Vs author medianPosts
00:00 UTC-1%89K
01:00 UTC-2%90K
02:00 UTC-3%88K
03:00 UTC-4%94K
04:00 UTC-5%76K
05:00 UTC-4%75K
06:00 UTC-5%86K
07:00 UTC-5%93K
08:00 UTC-4%108K
09:00 UTC-4%124K
10:00 UTC-3%129K
11:00 UTC-3%141K
12:00 UTC-3%154K
13:00 UTC-3%167K
14:00 UTC-4%173K
15:00 UTC-2%176K
16:00 UTC-3%171K
17:00 UTC-3%159K
18:00 UTC-2%149K
19:00 UTC-2%141K
20:00 UTC-1%131K
21:00 UTC0%116K
22:00 UTC-2%100K
23:00 UTC-1%90K
Engagement by day of weekSeven bars, one per weekday, Sunday first. Each bar shows how posts published on that day compare with their own authors' median engagement. Bars above the centre line ran higher than the median, bars below ran lower. A marker flags Busiest day: Friday.
SunMonTueWedThuFriSat
Above the authors' own mediansBelowScale: plus or minus 111%Busiest day: Friday
Show engagement by day of week as a table
Engagement by day of week
DayVs author medianPosts
Sunday+5%393K
Monday+1%483K
Tuesday-2%520K
Wednesday-3%472K
Thursday-2%430K
Friday-3%447K
Saturday+2%393K
See what moves engagement across the whole catalogWhat counts as a good engagement rate at this size

Formats this account uses

Its own posting mix on the left, and what each of those formats does across every account we track on the right. Only formats where the effect clears our publish test appear here, so an empty row is a format we could not measure rather than one that does nothing.

This account's posting mix compared with catalog-wide effects
FormatThis accountCatalog effect95% intervalAccounts behind it
Image or video86% of posts+111%+108% to +115%34K
Outbound link25% of posts-41%-42% to -40%32K
Typical length--3%-3% to -2%54K
  • 86% of this account's sampled posts carry an image or video. Across the catalog, posts with an image or video run 111% above the same accounts' other posts.
  • 25% of its posts carry a link off X. Across the catalog, posts with an outbound link run 41% below the same accounts' other posts.
  • Its average post runs 121 characters, which falls in the 80 - 180 characters band. Across the catalog, posts of 80 to 180 characters run 3% below the same accounts' other posts.

These are catalog-wide differences applied to this account's own posting mix, not a measurement of how each format performs for this account specifically. We keep one median per account, not one per format per account, so the second thing is not something this data can tell you.

Best tweets

  • Sep 14, 2026365x their median

    こういう構図が発生する関係性が大好きなのでそういう作品たくさん教えてほしい助けて https://t.co/aEcvORAdtF

    121K11K4375.4K18M viewsView on X
  • Oct 19, 2026271x their median

    桜井政博さんと。 https://t.co/QfpaHXx5Zw

    90K11K2326152.0M viewsView on X
  • Sep 1, 2026187x their median

    Already 11 years… https://t.co/3kJ9bOJs12

    63K6.6K8244481.5M viewsView on X
  • Sep 6, 2026173x their median

    I watched “Backrooms” for the second time in the theater. The second time around, my brain was able to keep up with what I was seeing, so I could take my time and really appreciate the film. While it doesn’t have the political overtones of the 1990s, the era after the end of the Cold War is reflected in the film in ways beyond just its hardware and media: the standardized, uniform office spaces, the dead-mall-like commercial facilities, and so on. I also bought the elaborate movie pamphlet. They gave me an A24 plastic bag, too. They also handed out an explanatory booklet at the entrance. Happinet is really doing a great job. The 16-minute “special film” after the end credits was also shown. (That one might be better left to the internet.) Since the film is rated “G” for all ages, there were noticeably quite a few parents with small children. After the screening, I heard a little girl say to her father, “It was scary. I might not be able to sleep tonight.” In another family, a little boy bombarded his father with questions: “The Backrooms are so huge. How did they make them? It has to be CG, right?” When his father didn’t answer, I almost leaned over and said, “It’s all sets,” but stopped myself. When he grows up, he’ll eventually find the truth for himself. It’s important to be inspired, to have “questions” and to sense that something is “strange” or doesn’t quite fit. This is the kind of film that makes you do that.

    61K4.6K1602291.2M viewsView on X
  • Aug 23, 2026137x their median

    63歳になりました。歳を重ねるごとに、“やらなければいけない”こと、“やりたい”ことが、どんどん増えていきます。その一方で、“やれる時間”が減っていきます。時間の使い方、自分の生き方(生き様)を常に精査する必要があります。とはいえ、一度背負った荷物は、置いていく訳にはいきません。今年は、僕がゲーム創りを初めてから、40周年にもなります。コジプロを初めて10周年になります。10月末から年末まで、「コジプロ展」を麻布台ヒルズギャラリーで開催予定です。エントランスのルーデンスも、“10周年ルーデンス”のヴァージョンに変更しました。いろんなチャンスやオファーが頂ける中で、引き続き、ゲーム創りに注力して行きたいと思います。よろしくお願いします。

    44K6.6K1.0K2801.7M viewsView on X
  • Oct 19, 2026133x their median

    Spotting a familiar face, chooms? 👀 You may remember seeing him in Konpeki Plaza during The Heist in 2077. Now, the renowned braindance director is making another appearance in Night City. @HIDEO_KOJIMA_EN returns as Hideyoshi Oshima in Cyberpunk: Edgerunners 2! https://t.co/2Mt0RBapqw

    45K4.3K163376800K viewsView on X
  • Sep 11, 2026131x their median

    【速報📢】 🏆日本映画初🏆 『#ネルソンさん、あなたは人を殺しましたか?』が 高校生20人が選ぶ 独立賞「金の小獅子賞」を受賞🎊 “若者が選ぶ小さな金獅子”が 本作に贈られました🦁✨ #ネルソンさんinヴェネチア🇮🇹 #塚本晋也 監督 © Kazuko Wakayama https://t.co/Nv2odscJnW

    36K13K1118793.2M viewsView on X
  • Oct 13, 202689x their median

    ソニー・シティにお邪魔しました。 https://t.co/Ajy5ElTomZ

    31K1.7K2873211.7M viewsView on X
  • Sep 23, 202566x their median

    次世代エスピオナージ・アクション「PHYSINT」のメインビジュアルです。 https://t.co/ArKOpaYth3

    20K3.6K1393041.8M viewsView on X
  • Oct 19, 202659x their median

    『サイバーパンク2077』紺碧プラザにいたあの有名ブレインダンス監督が、再びナイトシティに姿を現す。 小島秀夫氏が、ヒデヨシ・オオシマ役として『サイバーパンク: エッジランナーズ 2』に登場!明日の配信開始をお楽しみに。 https://t.co/6ad0fTArdu

    20K2.6K57226855K viewsView on X

Ranked by total interactions across everything we have tracked for this account, which is a longer history than the 30-day window the rates above use. The multiple compares each post to this account's own median.

Recurring topics

#deathstranding2#deathstranding#kojimaproductions#koji10#コジプロ展

The most frequent hashtags in the sampled posts. They describe what this account writes about; they are not a performance signal, and the catalog-wide breakdown on the hub shows how little hashtag count moves.

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Reading these numbers

A typical post picks up 378 interactions against 1.6M followers, an engagement rate of 0.024%. Measured over 109 original posts, its engagement rate beats 47% of 20,444 tracked accounts of a similar size, which puts it in the middle of its size range rather than at either end. Posts are seen about 43K times each, and 0.887% of those impressions turn into an interaction. That is about 2.67% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 33.5 posts a day over the last 30 days, with activity on almost every day in the window. Most posts go out around 13:00 UTC, and Friday is the busiest day of the week. Of the 109 posts sampled, 86% carry an image or video and 25% link out. The account's strongest tracked post pulled 138K interactions, about 365x its own typical post. Recurring topics include #deathstranding2, #deathstranding, #kojimaproductions.

What is 小島秀夫's engagement rate on X?
小島秀夫 (@Kojima_Hideo) has an engagement rate of 0.024%, based on the median interactions across 109 original posts from the last 30 days against 1,594,431 followers. Replies, reposts and quote-posts of other people are excluded from that sample.
Is that a good engagement rate?
At 0.024%, 小島秀夫 sits above the 10th percentile of the 204,491 accounts in this comparison. Those comparison accounts are all large ones, because our scanning cadence is weighted towards big accounts, so this is a ranking among peers of similar scale rather than a ranking across X.
Does @Kojima_Hideo have real engagement?
Its engagement rate beats 47% of the tracked X accounts closest to it in follower count (20,444 accounts), which puts it in the middle of its size range group. Ranking inside a size band matters because engagement rate falls as accounts grow, so a raw rate would mostly re-measure the follower count. It is a starting point for a look at follower quality, not a verdict on it.
When does @Kojima_Hideo post?
Most posts go out around 13:00 UTC, and Friday is its busiest day, at roughly 33.53 posts per day across the measured window.

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