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Etienne Arsenault engagement report

@JETAR9 - 1.7M followers on X

Measured over 20 original posts from a 30-day window, last computed on August 23, 2026.

Engagement

Bottom 10% for its size
Per follower
0.001%
of 1.7M followers
Per impression
0.293%
2.9K views on a typical post
Reach
0.17%
of its followers see a post
Typical post
8
interactions (median)
Saved
0%
0 bookmarks on a typical post
Posting rate
3.57/day
active 67% of days
Peak time
21:00 UTC
Wednesday

A typical post picks up 8 interactions against 1.7M followers, an engagement rate of 0.001%. Measured over 20 original posts, its engagement rate beats 9% of 1,003 tracked accounts of a similar size. That is a reason to look at how the audience behaves - reply depth, saves, whether the followers are recent - rather than a conclusion about it on its own. Posts are seen about 2.9K times each, and 0.293% of those impressions turn into an interaction. That is about 0.168% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 3.6 posts a day over the last 30 days, with activity on roughly 67% of days. Most posts go out around 21:00 UTC, and Wednesday is the busiest day of the week. Of the 20 posts sampled, 100% carry an image or video, 55% are part of a thread and 5% link out. The account's strongest tracked post pulled 20K interactions, about 2473x its own typical post. Recurring topics include #buddha, #blessings, #lovelife.

Measured over 20 original posts from a 30-day window, last computed on August 23, 2026. Recurring tags: #buddha, #blessings, #lovelife.

Compared with accounts its own size

Etienne Arsenault's engagement rate beats 9% of the tracked X accounts closest to it in follower count (1,003 accounts, accounts of similar size (decile 7 of 10)). A percentile is spread evenly by construction, so 50 really is the middle of that group and 90 really is its top tenth.

On engagement per impression rather than per follower it beats 23% of the same group. When those two numbers disagree, the gap is about how far its posts travel rather than how people react to them.

Where this sits in the catalog

At 0.001%, Etienne Arsenault sits below the 10th percentile of the 9,789 accounts in this comparison. That places it in the bottom 25% band, which runs below 0.006%.

p100.001%
p250.006%
p50 (median)0.046%
p750.319%
p902.64%
p99357.2%
Engagement rate as a share of followers, across the 9,789 accounts we have scanned enough to measure. The axis is logarithmic, because the top and bottom of this population are about 446,562 times apart and a linear axis would flatten everything below the median into a single point.
Show the percentile table
Engagement rate percentiles
PercentileEngagement rate
10th percentile0.001%
25th percentile0.006%
50th percentile0.046%
75th percentile0.319%
90th percentile2.64%
99th percentile357.2%

This ruler is the whole measured catalog, not a size-matched group: it shows where the raw rate falls across every account we can measure, all of which are large. For a like-for-like comparison, read the size-band percentile above instead. See how the bands are built

Posting timing

This account posts most often around 21:00 UTC, and Wednesday is its busiest day of the week. The bars below are the catalog-wide pattern, with this account's own busiest slot marked. They do not show how this account performs at each hour: we keep one aggregate per account, not one per hour, so that measurement does not exist in our data.

Engagement by hour posted, UTCTwenty-four bars, one per UTC hour. Each bar shows how posts published in that hour compare with their own authors' median engagement. Bars above the centre line ran higher than the median, bars below ran lower. A marker flags Busiest hour: 21:00 UTC.
0003060912151821
Above the authors' own mediansBelowScale: plus or minus 96%Busiest hour: 21:00 UTC
Show engagement by hour posted, utc as a table
Engagement by hour posted, UTC
Hour (UTC)Vs author medianPosts
00:00 UTC0%15K
01:00 UTC+4%15K
02:00 UTC-1%14K
03:00 UTC-2%15K
04:00 UTC-5%12K
05:00 UTC-5%12K
06:00 UTC-7%13K
07:00 UTC-6%14K
08:00 UTC-7%17K
09:00 UTC-2%19K
10:00 UTC-2%20K
11:00 UTC-2%22K
12:00 UTC-1%24K
13:00 UTC+1%27K
14:00 UTC-2%29K
15:00 UTC-1%30K
16:00 UTC-1%30K
17:00 UTC-1%28K
18:00 UTC+1%25K
19:00 UTC0%24K
20:00 UTC0%22K
21:00 UTC+1%19K
22:00 UTC+1%17K
23:00 UTC+1%15K
Engagement by day of weekSeven bars, one per weekday, Sunday first. Each bar shows how posts published on that day compare with their own authors' median engagement. Bars above the centre line ran higher than the median, bars below ran lower. A marker flags Busiest day: Wednesday.
SunMonTueWedThuFriSat
Above the authors' own mediansBelowScale: plus or minus 96%Busiest day: Wednesday
Show engagement by day of week as a table
Engagement by day of week
DayVs author medianPosts
Sunday+8%59K
Monday+8%72K
Tuesday+1%94K
Wednesday-4%78K
Thursday-3%71K
Friday-5%73K
Saturday+2%64K
See what moves engagement across the whole catalogWhat counts as a good engagement rate at this size

Formats this account uses

Its own posting mix on the left, and what each of those formats does across every account we track on the right. Only formats where the effect clears our publish test appear here, so an empty row is a format we could not measure rather than one that does nothing.

This account's posting mix compared with catalog-wide effects
FormatThis accountCatalog effect95% intervalAccounts behind it
Image or video100% of posts+79%+73% to +85%5.8K
Outbound link5% of posts-49%-50% to -47%6.1K
Typical length-+13%+10% to +15%6.4K
  • 100% of this account's sampled posts carry an image or video. Across the catalog, posts with an image or video run 79% above the same accounts' other posts.
  • 5% of its posts carry a link off X. Across the catalog, posts with an outbound link run 49% below the same accounts' other posts.
  • Its average post runs 6741 characters, which falls in the over 280 characters band. Across the catalog, posts over 280 characters run 13% above the same accounts' other posts.

These are catalog-wide differences applied to this account's own posting mix, not a measurement of how each format performs for this account specifically. We keep one median per account, not one per format per account, so the second thing is not something this data can tell you.

Best tweets

  • Mar 16, 20152473x their median

    Life is a Gorgeous Rose Life without thorns is not Life but Heaven on Earth A Pure Mind Strips the THORNS off Life http://t.co/27DvX8ffnn

    13K4.6K1.5K234View on X
  • Aug 5, 20264.6x their median

    The path to peace is walked one mindful step at a time. There is no shortcut to inner freedom. https://t.co/vm5Z0u0Nlw

    256422.4K viewsView on X
  • Jul 29, 20262.5x their median

    |❖ INSIGHT € PROFOUND VISION € ONE TRUTH ❖| 💛 La Version Française est publiĂ©e ci-dessous aprĂšs la Version Anglaise. 💛 Buddha’s Teachings Samyutta Nikaya, LVI (XII).ii An Analysis of Dependent Co-arising Vibhaáč…ga Sutta (SN 12:2) /ENG đŸ’„SEE-READ the TEXT-IMAGE In the posted Image or down belowđŸ’„ ☀ Now which aging-&-death? Whatever aging, decrepitude, brokenness, graying, wrinkling, decline of life-force, weakening of the faculties of the various beings in this or that group of beings, that is called aging. Whatever deceasing, passing away, breaking up, disappearance, dying, death, completion of time, break up of the aggregates, casting off of the body, interruption in the life faculty of the various beings in this or that group of beings, that is called death. ☀And which birth? Whatever birth, taking birth, descent, coming-to-be, coming-forth, appearance of aggregates, & acquisition of (sense) media of the various beings in this or that group of beings, that is called birth. ☀And which becoming? These three becomings: sensual becoming, form becoming, & formless becoming. This is called becoming. ☀And which clinging/sustenance? These four are clingings: sensuality-clinging, view-clinging, habit-&-practice-clinging, and doctrine-of-self-clinging. This is called clinging. [Or: These four are sustenances: sensuality-sustenance, view-sustenance, habit-&-practice-sustenance, and doctrine-of-self-sustenance.] ☀And which craving? These six are classes of craving: craving for forms, craving for sounds, craving for smells, craving for tastes, craving for tactile sensations, craving for ideas. This is called craving. ☀And which feeling? These six are classes of feeling: feeling born from eye-contact, feeling born from ear-contact, feeling born from nose-contact, feeling born from tongue-contact, feeling born from body-contact, feeling born from intellect-contact. This is called feeling. ☀And which contact? These six are classes of contact: eye-contact, ear-contact, nose-contact, tongue-contact, body-contact, intellect-contact. This is called contact. ☀And which six sense media? These six are sense media: the eye-medium, the ear-medium, the nose-medium, the tongue-medium, the body-medium, the intellect-medium. These are called the six sense media. ☀And which name-&-form? Feeling, perception, intention, contact, & attention: This is called name. The four great elements, and the form dependent on the four great elements: This is called form. This name & this form are called name-&-form. ☀And which consciousness? These six are classes of consciousness: eye-consciousness, ear-consciousness, nose-consciousness, tongue-consciousness, body-consciousness, intellect-consciousness. This is called consciousness. ☀And which fabrications? These three are fabrications: bodily fabrications, verbal fabrications, mental fabrications. These are called fabrications. đŸ’„ ☀And which ignorance? Not knowing stress, not knowing the origination of stress, not knowing the cessation of stress, not knowing the way of practice leading to the cessation of stress: This is called ignorance. #Buddha |❖Mindfulness €Self Mastery €Spirituality € Mental Clarity € Attachment Free ❖| Bouddha ―☀― /FR |❖ INSIGHT € VISION PROFONDE € UNE VÉRITÉ ❖| Enseignement du Bouddha Vibhaáč…ga 12.2 Analyse de la co-production conditionnĂ©e đŸ’„ VOIR-LIRE le - TEXTE-IMAGE Dans l’image publiĂ©e ou ci-dessousđŸ’„ ☀Or donc, qu'est-ce que la vieillesse et la mort? Tout ce qui est vieillesse, dĂ©crĂ©pitude, fourbure, grisonnance, rides, dĂ©clin de la force vitale, affaiblissement des facultĂ©s des diffĂ©rents ĂȘtres en ce groupe d'ĂȘtres-ci ou ce groupe d'ĂȘtres-lĂ , voilĂ  ce qu'on appelle vieillesse. Tout ce qui est dĂ©cĂšs, trĂ©pas, rupture, disparition, mourir, la mort, avoir fait son temps, dissolution des agrĂ©gats, dĂ©pouillement du corps, interruption dans la facultĂ© vitale des diffĂ©rents ĂȘtres en ce groupe d'ĂȘtres-ci ou ce groupe d'ĂȘtres-lĂ , voilĂ  ce qu'on appelle la mort. ☀Et qu'est-ce que la naissance? Tout ce qui est naissance, prendre naissance, descendre, venir Ă  ĂȘtre, s'avancer,đŸ’„apparition des agrĂ©gats, et acquisition des mĂ©diums [des sens] des diffĂ©rents ĂȘtres en ce groupe d'ĂȘtres-ci ou ce groupe d'ĂȘtres-lĂ , voilĂ  ce qu'on appelle la naissance. ☀Et qu'est-ce que le devenir? Ces trois sont le devenir: le devenir sensoriel, le devenir de la forme, et le devenir sans forme. VoilĂ  ce qu'on appelle le devenir. ☀Et qu'est-ce que l'attachement/alimentation? Ces quatre sont les attachements: l'attachement Ă  la sensualitĂ©, l'attachement aux vues, l'attachement aux prĂ©ceptes et Ă  la pratique, et l'attachement Ă  la doctrine du soi. VoilĂ  ce qu'on appelle l'attachement. ☀Et qu'est-ce que l'envie insatiable? Ces sixsont des classes de l'envie insatiable: l'envie insatiable des formes, l'envie insatiable des sons, l'envie insatiable des odeurs, l'envie insatiable des goĂ»ts, l'envie insatiable des sensations tactiles, l'envie insatiable des idĂ©es. VoilĂ  ce qu'on appelle l'envie insatiable. ☀Et qu'est-ce que la sensation? Ces six sont des classes de sensations: la sensation nĂ©e du contact avec l'oeil, la sensation nĂ©e du contact avec l'oreille, la sensation nĂ©e du contact avec le nez, la sensation nĂ©e du contact avec la langue,đŸ’„la sensation nĂ©e du contact avec le corps, la sensation nĂ©e du contact avec l'intellect. VoilĂ  ce qu'on appelle la sensation. ☀Et qu'est-ce que le contact? Ces six sont des classes de contact: le contact avec l'oeil, le contact avec l'oreille, le contact avec le nez, le contact avec la langue, le contact avec le corps, le contact avec l'intellect. VoilĂ  ce qu'on appelle le contact. ☀Et que sont les mĂ©diums des six sens? Ces six sont des mĂ©diums des sens: le mĂ©dium de l'oeil, le mĂ©dium de l'oreille, le mĂ©dium du nez, le mĂ©dium de la langue, le mĂ©dium du corps, le mĂ©dium de l'intellect. On les appelle les mĂ©dias des six sens. ☀Et qu'est-ce que le nom-et-forme? Sensation, perception, intention, contact, et attention: VoilĂ  ce qu'on appelle le nom. Les quatre grands Ă©lĂ©ments, et la forme dĂ©pendant des quatre grands Ă©lĂ©ments: VoilĂ  ce qu'on appelle la forme. Ce nom et cette forme sont appelĂ©s le nom-et-forme. ☀Et qu'est-ce que la conscience? Ces six sont des classes de la conscience: la conscience de l'oeil, la conscience de l'oreille, la conscience du nez, la conscience de la langue, la conscience du corps, la conscience de l'intellect. VoilĂ  ce qu'on appelle la conscience. đŸ’„ ☀Et que sont les fabrications? Ces trois sont les fabrications: les fabrications corporelles, les fabrications verbales, les fabrications mentales. On les appelle les fabrications. ☀Et qu'est-ce que l'ignorance? Ne pas connaĂźtre le stress, ne pas connaĂźtre l'origine du stress, ne pas connaĂźtre la cessation du stress, ne pas connaĂźtre le mode de pratique conduisant Ă  la cessation du stress: VoilĂ  ce qu'on appelle l'ignorance. #Bouddha |❖ Pleine Conscience € MaĂźtrise de Soi € SpiritualitĂ© € ClartĂ© Mentale € Non-attachement (dĂ©tachement) ❖| ―☀― ENG đŸ’„ TEXT-IMAGEđŸ’„ AND WHICH IGNORANCE? Not knowing stress, not knowing the origination of stress, not knowing the cessation of stress, not knowing the way of practice leading to the cessation of stress: This is called ignorance. (bis) And what is dependent co-arising? From ignorance as a requisite condition come fabrications. From fabrications as a requisite condition comes consciousness. From consciousness as a requisite condition comes name-&-form. From name-&-form as a requisite condition come the six sense media. From the six sense media as a requisite condition comes contact. From contact as a requisite condition comes feeling. đŸ’„ From feeling as a requisite condition comes craving. From craving as a requisite condition comes clinging/sustenance. From clinging/sustenance as a requisite condition comes becoming. From becoming as a requisite condition comes birth. From birth as a requisite condition, then aging-&-death, sorrow, lamentation, pain, distress, & despair come into play. Such is the origination of this entire mass of stress & suffering. ―☀― FR đŸ’„ TEXTE-IMAGEđŸ’„ ET QU'EST-CE QUE L'IGNORANCE? Ne pas connaĂźtre le stress, ne pas connaĂźtre l'origine du stress, ne pas connaĂźtre la cessation du stress, ne pas connaĂźtre le mode de pratique conduisant Ă  la cessation du stress: VoilĂ  ce qu'on appelle l'ignorance. (bis) Et qu'est-ce que la coproduction conditionnĂ©e? De l'ignorance en tant que condition prĂ©-requise proviennent les fabrications. Des fabrications en tant que condition prĂ©-requise provient la conscience. De la conscience en tant que condition prĂ©-requise provient le nom-et-forme. Du nom-et-forme en tant que condition prĂ©-requise proviennent les mĂ©diums des six sens. Des mĂ©diums des six sens en tant que condition prĂ©-requise provient le contact. đŸ’„ Du contact en tant que condition prĂ©-requise provient la sensation. De la sensation en tant que condition prĂ©-requise provient l'envie insatiable. De l'envie insatiable en tant que condition prĂ©-requise provient l'attachement/alimentation. De l'attachement/alimentation en tant que condition prĂ©-requise provient le devenir. Du devenir en tant que condition prĂ©-requise provient la naissance. De la naissance en tant que condition prĂ©-requise, entrent ensuite en jeu la vieillesse et la mort, le chagrin, les lamentations, la douleur, l'angoisse, et le dĂ©sespoir. Telle est l'origine de toute cette masse de stress et de souffrance. đŸ’„ âžĄïžCont. An Analysis of Dependent Co-arising (SN 12:2) Tomorrow’s Post đŸ’„

    93713.5K viewsView on X
  • Aug 16, 20261.8x their median

    502 🙏 ENG | Jiddu Krishnamurti đŸ’„ PUBLICATION : New «FORMAT» Nouveau đŸ’„ 💛 La Version Française du livre de Krishnamurti est publiĂ©e ci-dessous aprĂšs la Version Anglaise 💛 |❖ For OPTIMAL UNDERSTANDING Read the text with ATTENTION from the First word to the End ❖| Public Talk ☀ This Matter of Culture-Think on These Things/Le sens du bonheur 1963 Dialogue Question Answer☀ THE SIMPLICITY OF LOVE /LA SIMPLICITÉ DE L’AMOUR ☀ ―⁈ Q.: if the mind and the brain are one, then why is it that when a thought or an urge arises which the brain tells us is ugly the mind so often goes on with it? ☀ k.: Actually what takes place? If a pin pricks your arm, the nerves carry the sensation to your brain, the brain translates it as pain, then the mind rebels against the pain, and you take away the pin or otherwise do something about it. But there are some things which the mind goes on with, even though it knows them to be ugly or stupid. It knows how essentially stupid it is to smoke, and yet one goes on smoking. Why? Because it likes the sensations of smoking, and that is all. If the mind were as keenly aware of the stupidity of smoking as it is of the pain of a pinprick, it would stop smoking immediately. But it doesn't want to see it that clearly because smoking has become a pleasurable habit. It is the same with greed or violence. ―☀― TEXT-IMAGE ☀GREED ☀ENVY ☀AMBITION AND ☀LUST ARE POISONOUS If greed were as painful to you as the pinprick in your arm, you would instantly stop being greedy, you wouldn't philosophize about it; and if you were really awake to the full significance of violence, you wouldn't write volumes about non-violence - which is all nonsense, because you don't feel it, you just talk about it. If you eat something which gives you a violent tummyache, you don't go on eating it, do you? You put it aside immediately. Similarly, if you once realized that envy and ambition are poisonous, vicious, cruel, as deadly as the sting of a cobra, you would awaken to them. But, you see, the mind does not want to look at these things too closely; in this area it has vested interests, and it refuses to admit that ambition, envy, greed, lust are poisonous. Therefore it says, "Let us discuss non-greed, non-violence, let us have ideals" - and in the meantime it carries on with its poisons. So find out for yourself how corrupting, how destructive and poisonous these things are, and you will soon drop them; but if you merely say, "I must not" and go on as before, you are playing the hypocrite. Be one thing or the other, hot or cold. ☀ đŸ•Šïž 🙏Sadhu ! Sadhu ! Sadhu ! 🙏 đŸ•ŠïžAmong others it is used to express shared joy, moral approval, and spiritual agreement. Also means « excellent, well done, or it is good.» - «Amen or Hallelujah» J.K. Krishnamurti |❖Mindfulness € Self Mastery € Spirituality € Mental Clarity € Attachment Free ❖| ―🙏― 📖 VERSION FRANÇAISE 📖 đŸ•ŠïžOn LinkedIn « New Post » 502- 🙏 FR | Jiddu Krishnamurti |❖ Pour une COMPRÉHENSION OPTIMALE, LIRE avec ATTENTION le texte au complet « du DĂ©but Ă  la Fin » ❖| Causerie ☀ Le sens du bonheur 1963 Dialogue Question ☀ LA SIMPLICITÉ DE L'AMOUR ☀ ―⁈ Q.: si l'esprit et le cerveau ne font qu'un, pourquoi, lorsque naĂźt une pensĂ©e ou une pulsion jugĂ©es laides par notre cerveau, l'esprit persiste-t-il trĂšs souvent dans la mĂȘme voie? ☀ k.: Que se passe-t-il dans les faits? Si une Ă©pingle pique votre bras, les nerfs transmettent la sensation Ă  votre cerveau, celui-ci la traduit sous forme de douleur, puis l'esprit se rĂ©volte contre la douleur, et vous ĂŽtez l'Ă©pingle, ou vous agissez en consĂ©quence. Mais dans certains cas, l'esprit persiste dans la mĂȘme voie, tout en sachant qu'il s'agit de choses laides ou stupides. Il sait Ă  quel point il est stupide de fumer, et pourtant on continue Ă  fumer. Pourquoi? Parce qu'il aime les sensations que procure le tabac, c'est tout. Si l'esprit Ă©tait aussi intensĂ©ment conscient de la stupiditĂ© du tabagisme qu'il l'est d'une piqĂ»re d'Ă©pingle, on cesserait de fumer immĂ©diatement. Mais il refuse de voir les choses en toute luciditĂ© parce que fumer est devenu une habitude plaisante. Il en va de mĂȘme pour l'aviditĂ© ou la violence. ―☀― Si l'aviditĂ© Ă©tait aussi douloureuse pour vous que la piqĂ»re d'Ă©pingle dans votre bras, vous cesseriez instantanĂ©ment d'ĂȘtre avide, sans philosopher outre mesure; et si vous Ă©tiez conscient de la signification de la violence, vous n'Ă©cririez pas des volumes entiers sur la non-violence - qui ne sont que fadaises, car vous ne ressentez pas les choses, vous vous contentez d'en parler. Si vous mangez quelque chose qui vous donne de violents maux de ventre, vous ne continuez pas Ă  en manger, n'est-ce pas? Vous arrĂȘtez immĂ©diatement. De la mĂȘme façon, si, ne serait-ce qu'une fois, vous vous rendiez compte que l'envie et l'ambition sont nocives, perverses, aussi mortelles que la morsure d'un cobra, vous y seriez attentif. Mais voyez-vous, l'esprit ne tient pas Ă  y regarder de trop prĂšs, car ce sont des domaines dans lesquels il est directement intĂ©ressĂ©, et il refuse d'admettre que l'ambition, l'envie, l'aviditĂ©, la convoitise sont des poisons. Il dit donc: « Discutons de la non-aviditĂ©, de la non-violence, ayons des idĂ©aux », et entre-temps il persiste avec ses poisons. DĂ©couvrez donc par vous-mĂȘme Ă  quel point ces choses-lĂ  sont corruptrices, destructrices, nocives, et vous les abandonnerez trĂšs vite. Mais si vous vous contentez de dire: « Je ne dois pas », et que vous continuez comme par le passĂ©, vous jouez un jeu hypocrite. De deux choses l'une: optez pour le chaud ou le froid. ☀ đŸ•Šïž 🙏 Sadhu ! Sadhu ! Sadhu ! 🙏 đŸ•Šïž UtilisĂ© entre autres pour exprimer une joie partagĂ©e de dĂ©votion, une approbation des valeurs morales et spirituelles. Aussi une expression d’accord et d’éloge, signifiant « excellent, bien, bon » – « Amen » ou « AllĂ©luia » J.K. Krishnamurti |❖ Pleine Conscience € MaĂźtrise de Soi € SpiritualitĂ© € ClartĂ© Mentale € Non-attachement ❖|

    71604.2K viewsView on X
  • Feb 15, 20261.8x their median

    157- #JidduKrishnamurti #MĂ©ditation 4th #PublicTalk #Causerie ☀ MEDITATION ☀ #Krishnamurti - Le vol de l’aigle - ProblĂšmes soulevĂ©s par la contrainte et les mĂ©thodes ☀ Flight of the Eagle -London 23rd March 1969 (Text - Image) #Question ! ☀ ―Text below: The Book of Life / ☀ Attention free of effort ☀ Ref. #208 - Is there attention without anything absorbing the mind? Is there attention without concentrating upon an object? Is there attention without any form of motive, influence, compulsion? Can the mind give full attention without any sense of exclusion? Surely it can, and that is the only state of attention; the others are mere indulgence, or tricks of the mind. If you can give full attention without being absorbed in something, and without any sense of exclusion, then you will find out what it is to meditate; because in that attention there is no effort, no division, no struggle, no search for a result. So meditation is a process of freeing the mind from systems, and of giving attention without either being absorbed, or making an effort to concentrate. ―☀― TEXT - IMAGE OBSERVE
 BE ATTENTIVE « THE THINKER' IS THE THOUGHT » Ref. #526 - Then there is the sudden realization that the `Thinker' is the Thought - a realization -, not a verbal statement, but an actuality. ☀ Meditation 🔜 The ability to observe without evaluating is the highest form of intelligence. 🔚 Then what takes place? Is there such a thing as thought wandering? It is only when the `Observer' is different from Thought that he censors it; then he can say, `This is right or this is wrong thought,' or `Thought is wandering away I must control it.` But when the Thinker realizes that he is the Thought, is there a wandering at all? Go into it, sirs, don't accept it, you will see it for yourself. It is only when there is a resistance that there is conflict; the resistance is created by the thinker who thinks he is separate from the thought; but when the thinker realizes that he is the thought, there is no resistance - which does not mean that thought goes all over the place and does what it likes, on the contrary. The whole concept of control and concentration undergoes a tremendous change; it becomes Attention, something entirely different. If one understands the nature of Attention, that attention can be focused, one understands that it is quite different from concentration, which is exclusion. #JKrishnamurti #Mindfulness #Wisdom #Wise #Life /

    62512.4K viewsView on X
  • Aug 10, 20261.6x their median

    490 🙏 ENG | Jiddu KrishnamurtiđŸ’„ PUBLICATION : New «FORMAT» Nouveau đŸ’„ 💛 La Version Française du livre de Krishnamurti est publiĂ©e ci-dessous aprĂšs la Version Anglaise 💛 |❖ For OPTIMAL UNDERSTANDING Read the text with ATTENTION from the First word to the End ❖| Public Talk ☀ This Matter of Culture-Think on These Things/Le sens du bonheur 1963 Dialogue ☀ Question Answer ☀ SAVOIR et TRADITION ☀ ―⁈ Q.: YOU TELL US THAT THERE SHOULD BE NO RESISTANCE IN PAYING ATTENTION. HOW CAN THIS BE? ☀ K.: I HAVE SAID THAT ANY FORM OF RESISTANCE IS INATTENTION, DISTRACTION. Don't accept it, think it over. Don't accept anything, it does not matter who says it, but investigate the matter for yourself. If you merely accept, you become mechanical dull, you are already dead; but if you investigate, if you think things out for yourself, then you are alive, vital, a creative human being. Now, can you pay attention to what is being said and at the same time be aware that somebody is coming in, without turning your head to see who it is and without any resistance against turning your head? If you resist turning your head to look, your attention has already gone and you are wasting your mental energy in that resistance. So, CAN THERE BE A STATE OF TOTAL ATTENTION IN WHICH THERE IS NO DISTRACTION AND THEREFORE NO RESISTANCE? That is, can you pay attention to something WITH YOUR WHOLE BEING AND YET KEEP THE OUTSIDE OF YOUR CONSCIOUSNESS SENSITIVE TO ALL THAT IS HAPPENING ABOUT YOU AND WITHIN YOURSELF? ―☀― TEXT-IMAGE MEDITATION ATTENTION – INATTENTION PAY ATTENTION WITHOUT RESISTANCE UNDERSTANDING OF ONESELF IS THE WAY OF MEDITATION You see, the mind is an extraordinary instrument, it is constantly absorbing - seeing various forms and colours, receiving innumerable impressions, catching the meaning of words, the significance of a glance, and so on; and our problem is to pay attention to something while at the same time keeping the mind really sensitive to everything that is going on, including all the unconscious impressions and responses. What I am saying really involves the whole problem of meditation. We cannot enter into that now; but if one doesn't know how to meditate, one is not a mature human being. Meditation is one of the most important things in life - far more important than passing examinations to get a degree. To understand what is right meditation is not to practise meditation. The `practice' of anything in spiritual matters is deadly. To understand what is right meditation there must be an awareness of the operations of one's own consciousness, and then there is complete attention. But complete attention is not possible when there is any form of resistance. You see, most of us are educated to pay attention through resistance, and so our attention is always partial, never complete - and that is why learning becomes tedious, boring, a fearful thing. Therefore it is very important to pay attention in the deep sense of the word, which is to be aware of the workings of one's own mind. Without self-knowledge you cannot pay complete attention. đŸ’„ That is why, in a real school, the student must not only be taught various subjects but also helped to be aware of the process of his own thinking. In understanding himself he will know what it is to pay attention without resistance, for the understanding of oneself is the way of meditation. ☀ đŸ•Šïž 🙏Sadhu ! Sadhu ! Sadhu ! 🙏 đŸ•ŠïžAmong others it is used to express shared joy, moral approval, and spiritual agreement. Also means « excellent, well done, or it is good.» - «Amen or Hallelujah» #Krishnamurti |❖Mindfulness € Self Mastery € Spirituality € Mental Clarity € Attachment Free ❖| ―🙏― 📖 VERSION FRANÇAISE 📖 đŸ•ŠïžOn LinkedIn « New Post » 490- 🙏 FR | Jiddu Krishnamurti |❖ Pour une COMPRÉHENSION OPTIMALE, LIRE avec ATTENTION le texte au complet « du DĂ©but Ă  la Fin » ❖| Causerie ☀ Le sens du bonheur 1963 Dialogue ☀ Question ☀ Savoir et tradition ☀ ―⁈ Q.: VOUS NOUS DITES QU’IL NE DEVRAIT PAS Y AVOIR DE RÉSISTANCE LORSQU'ON EST ATTENTIF. COMMENT EST-CE POSSIBLE? ☀ K.: J'AI DIT QUE TOUTE FORME DE RÉSISTANCE ÉTAIT DE L'INATTENTION, DE LA DISTRACTION. N'acquiescez pas Ă  mes propos, rĂ©flĂ©chissez-y. Quel que soit celui qui parle, il ne faut rien accepter d'emblĂ©e, mais examiner la question par vous-mĂȘme. Si vous vous contentez d'accepter, vous devenez bĂȘte et semblable Ă  une machine, vous ĂȘtes dĂ©jĂ  mort; mais si vous menez votre propre enquĂȘte, si vous rĂ©flĂ©chissez par vous-mĂȘme, alors vous ĂȘtes vivant, plein d'Ă©nergie et de vitalitĂ©, vous ĂȘtes un ĂȘtre humain crĂ©atif. Pouvez-vous en mĂȘme temps ĂȘtre attentif Ă  ce qui se dit Ă  l'instant et Ă  l'arrivĂ©e de quelqu'un dans la salle, sans tourner la tĂȘte pour voir qui entre, et sans rĂ©sister Ă  l'envie de tourner la tĂȘte? Si vous rĂ©sistez Ă  cette envie, votre attention a dĂ©jĂ  disparu et vous gaspillez votre Ă©nergie mentale dans cette rĂ©sistance. PEUT-IL Y AVOIR UN ÉTAT D'ATTENTION TOTALE, DANS LEQUEL N'INTERVIENNE AUCUNE DISTRACTION, ET DONC AUCUNE RÉSISTANCE? En d'autres termes, pouvez-vous ĂȘtre attentif Ă  une chose EN Y IMPLIQUANT TOUT VOTRE ÊTRE, TOUT EN PERMETTANT À VOTRE CONSCIENCE EXTÉRIEURE DE RESTER SENSIBLE À TOUT CE QUI SE PASSE AUTOUR DE VOUS ET EN VOUS-MÊME? ―☀― TEXTE-IMAGE LA MÉDITATION ATTENTION – INATTENTION ATTENTION TOTALE SANS RÉSISTANCE LA CONNAISSANCE DE SOI EST LA VOIE DE LA MÉDITATION L'esprit est un instrument extraordinaire, qui absorbe en permanence - qui voit diverses formes et couleurs, qui reçoit d'innombrables impressions, qui saisit la signification des mots, le sens d'un regard, etc. Et notre problĂšme est d'ĂȘtre attentif Ă  une chose tout en conservant la sensibilitĂ© de l'esprit Ă  tout ce qui se passe, y compris les impressions et les rĂ©actions inconscientes. Ce que je suis en train de dire implique toute la question de la mĂ©ditation. Nous ne pouvons pas l'aborder maintenant; mais pourtant, si l'on ne sait pas mĂ©diter, on n'a pas atteint sa maturitĂ© d'ĂȘtre humain. La mĂ©ditation est l'une des choses les plus importantes de la vie - beaucoup plus importante que le succĂšs aux examens et l'obtention d'un diplĂŽme universitaire. Comprendre ce qu'est LA VRAIE MÉDITATION, ce n'est pas pratiquer la mĂ©ditation. Toute « pratique » dans le domaine spirituel est mortifĂšre. Pour comprendre ce qu'est la vraie mĂ©ditation, il faut prendre acte des opĂ©rations qui se dĂ©roulent dans sa propre conscience, alors L'ATTENTION EST TOTALE. Mais cette attention totale n'est possible qu'en l'absence de toute forme de rĂ©sistance. On nous a gĂ©nĂ©ralement formĂ©s Ă  ĂȘtre attentifs Ă  force de rĂ©sistance, notre attention n'est donc toujours que partielle, jamais totale - voilĂ  pourquoi apprendre devient une chose ennuyeuse,đŸ’„assommante, Ă©pouvantable. Il est par consĂ©quent essentiel d'ĂȘtre attentif au sens profond du terme, c'est-Ă -dire conscient des agissements de son propre esprit. VoilĂ  pourquoi, dans une vĂ©ritable Ă©cole, on doit non seulement enseigner diverses matiĂšres Ă  l'Ă©lĂšve, mais aussi l'aider Ă  prendre conscience de son propre processus de pensĂ©e. En se comprenant lui-mĂȘme, il saura ce qu'est l'attention sans rĂ©sistance, car la connaissance de soi est la voie de la mĂ©ditation. ☀ đŸ•Šïž 🙏 Sadhu ! Sadhu ! Sadhu ! 🙏 đŸ•Šïž UtilisĂ© entre autres pour exprimer une joie partagĂ©e de dĂ©votion, une approbation des valeurs morales et spirituelles. Aussi une expression d’accord et d’éloge, signifiant « excellent, bien, bon » – « Amen » ou « AllĂ©luia » J.K. Krishnamurti |❖ Pleine Conscience € MaĂźtrise de Soi € SpiritualitĂ© € ClartĂ© Mentale € Non-attachement ❖|

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  • Aug 13, 20261.5x their median

    495 🙏 ENG | Jiddu KrishnamurtiđŸ’„ PUBLICATION : New «FORMAT» Nouveau đŸ’„ 💛 La Version Française du livre de Krishnamurti est publiĂ©e ci-dessous aprĂšs la Version Anglaise 💛 |❖ For OPTIMAL UNDERSTANDING Read the text with ATTENTION from the First word to the End ❖| đŸ’„IMPORTANT – For Insight-understanding, read 10 times if necessary, or even 50 times, without embarrassment. This is very IMPORTANT! đŸ’„ Meditation 5e Public Talk ☀ MEDITATION ☀ Question ! ☀ Source: FREEDOM FROM THE KNOWN ☀ The OBSERVER, says
: « I must get rid of this conflict" ☀ OBSERVER « IS » OBSERVED ☀ ―☀― TEXT-IMAGE-1 (Ref. 482 / bis ) OBSERVER is the OBSERVED « I observe and make my judgement, and thus the observer is separate from the thing he observes (bis)» ☀ « So the observer is both the past and the present, and tomorrow is waiting and that is also a part of him. (bis)» ☀ YOU ARE ALWAYS TRANSLATING THE NEW IN TERMS OF THE OLD AND THEREFORE YOU ARE EVERLASTINGLY IN CONFLICT. One image, as the observer, observes dozens of other images around himself and inside himself, and he says, `I like this image, I'm going to keep it' or `I don't like that image so I'll get rid of it', but the observer himself has been put together by the various images which have come into being through reaction to various other images. So we come to a point where we can say, `The observer is also the image, only he has separated himself and observes. This observer who has come into being through various other images thinks himself permanent and between himself and the images he has created there is a division, a time interval. This creates conflict between himself and the images he believes to be the cause of his troubles. So then he says, "I must get rid of this conflict", but the very desire to get rid of the conflict creates another image. Awareness of all this, which is real meditation, has revealed that there is a central image put together by all the other images, and the central image, the observer, is the censor, the experiencer, the evaluator, the judge who wants to conquer or subjugate the other images or destroy them altogether. The other images are the result of judgements, opinions and conclusions by the observer, and the observer is the result of all the other images - therefore the observer is the observed. So awareness has revealed the different states of one's mind, has revealed the various images and the contradiction between the images, has revealed the resulting conflict and the despair at not being able to do anything about it and the various attempts to escape from it. ALL THIS HAS BEEN REVEALED THROUGH CAUTIOUS HESITANT AWARENESS, AND THEN COMES THE AWARENESS THAT THE OBSERVER IS THE OBSERVED. ☀ ―☀― Ref. 495- OBSERVER is the OBSERVED It is not a superior entity who becomes aware of this, it is not a higher self (but, are merely inventions, further images); it is the awareness itself which had revealed that the observer is the observed.đŸ’„If you ask yourself a question, who is the entity who is going to receive the answer? And who is the entity who is going to enquire? If the entity is part of consciousness, part of thought, then it is incapable of finding out. What it can find out is only a state of awareness. But if in that state of awareness there is still an entity who says, `I must be aware, I must practise awareness', that again is another image. This awareness that the observer is the observed is not a process of identification with the observed. To identify ourselves with something is fairly easy. Most of us identify ourselves with something - with our family, our husband or wife, our nation - and that leads to great misery and great wars. We are considering something entirely different and we must understand it not verbally but in our core, right at the root of our being. In ancient China before an artist began to paint anything - a tree, for instance - he would sit down in front of it for days, months, years, it didn't matter how long, until he was the tree. He did not identify himself with the tree but he was the tree. This means that there was no space between him and the tree, no space between the observer and the observed,đŸ’„no experiencer experiencing the beauty, the movement, the shadow, the depth of a leaf, the quality of colour. He was totally the tree, and in that state only could he paint. Any movement on the part of the observer, if he has not realized that the observer is the observed, creates only another series of images and again he is caught in them. ―☀― TEXT-IMAGE-2 OBSERVER is the OBSERVED ☀ Source: Freedom From the Known ☀ BUT WHAT TAKES PLACE WHEN THE OBSERVER IS AWARE THAT THE OBSERVER IS THE OBSERVED? Go slowly, go very slowly, because it is a very complex thing we are going into now. What takes place? The observer does not act at all. The observer has always said, `I must do something about these images, I must suppress them or give them a different shape; he is always active in regard to the observed, acting and reacting passionately or casually, and this action of like and dislike on the part of the observer is called positive action - `I like, therefore I must hold. I dislike therefore I must get rid of.' But when the observer realizes that the thing about which he is acting is himself, then there is no conflict between himself and the image. He is that. He is not separate from that.đŸ’„When he was separate, he did, or tried to do, something about it, but when the observer realizes that he is that, then there is no like or dislike and conflict ceases. For what is he to do? If something is you, what can you do? You cannot rebel against it or run away from it or even accept it. It is there. So all action that is the outcome of reaction to like-and dislike has come to an end. Then you will find that there is an awareness that has become tremendously alive. It is not bound to any central issue or to any image - and from that intensity of awareness there is a different quality of attention and therefore the mind - because the mind is this awareness - has become extraordinarily sensitive and highly intelligent. đŸ•Šïž 🙏Sadhu ! Sadhu ! Sadhu ! 🙏 đŸ•ŠïžAmong others it is used to express shared joy, moral approval, and spiritual agreement. Also means « excellent, well done, or it is good.» - «Amen or Hallelujah» J.K. Krishnamurti |❖Mindfulness € Self Mastery € Spirituality € Mental Clarity € Attachment Free ❖| ―🙏― 📖 VERSION FRANÇAISE 📖 đŸ•ŠïžOn LinkedIn « New Post » 495 🙏 FR | Jiddu Krishnamurti |❖ Pour une COMPRÉHENSION OPTIMALE, LIRE avec ATTENTION le texte au complet « du DĂ©but Ă  la Fin » ❖| đŸ’„IMPORTANT: Pour Insight-comprĂ©hension lire 10 fois s’il le faut, voire mĂȘme 50 fois, sans-gĂȘne. Ce contenu est trĂšs IMPORTANT ! đŸ’„ 5e Causerie ☀SE LIBÉRER DU CONNU ☀ OBSERVATEUR & OBSERVÉ ―☀― TEXTE – IMAGE-1 (Ref. 482 bis) L’OBSERVATEUR est L’OBSERVÉ « j'observe et que j'Ă©mets mes jugements, et c'est Ainsi que l'observateur se sĂ©pare de ce qu'il observe (bis)» ☀ « Ainsi l'observateur est Ă  la fois le passĂ© et le prĂ©sent ; Et le lendemain qui est en attente est aussi une partie de lui. (bis)» ☀VOUS NE FAITES JAMAIS QUE TRADUIRE LE NEUF EN TERMES DU VIEUX ET, PAR CONSÉQUENT, VOUS VOUS TROUVEZ DANS DE SEMPITERNELS CONFLITS. Une image, en tant qu'observateur, observe des douzaines d'autres images autour d'elle et en elle, et dit: « Celle-ci me plaĂźt, je la garde », ou « celle-lĂ  me dĂ©plaĂźt, je vais m'en dĂ©barrasser ». Mais cet observateur lui-mĂȘme a Ă©tĂ© fabriquĂ© par les diffĂ©rentes images qui ont Ă©tĂ© créées par des rĂ©actions Ă  diverses autres images. Nous arrivons alors au point oĂč nous pouvons dire que l'observateur est aussi une image, mais qui s'est sĂ©parĂ©e des autres, et qui observe. Ayant Ă©tĂ© engendrĂ© par des images variĂ©es, cet observateur se croit pourtant permanent et il se produit entre lui et ce qu'il crĂ©e une division, un intervalle de temps, cela provoque un conflit entre lui et les images qu'il accuse d'ĂȘtre la cause de ses tracas. Il dit alors: « Je dois me dĂ©livrer de ce conflit », et ce dĂ©sir mĂȘme qu'il a de s'en dĂ©gager crĂ©e, encore, une nouvelle image. S'ĂȘtre rendu compte de tout cela – et c'est la vraie mĂ©ditation – a rĂ©vĂ©lĂ© qu'il y a une image centrale assemblĂ©e par toutes les autres, qui est l'observateur, le censeur, celui qui perçoit l'expĂ©rience, celui qui Ă©value.C'est le juge qui veut conquĂ©rir ou subjuguer les images qui l'ont créé, ou mĂȘme les dĂ©truire, incitĂ© par celles qui rĂ©sultent de ses jugements, de ses opinions, de ses conclusions. Mais ces images qui l'ont créé le voient, Ă  leur tour, et c'est alors que l'observateur, « est » l'observĂ©. Ainsi la luciditĂ© a rĂ©vĂ©lĂ© les diffĂ©rents Ă©tats qui composent notre Ă©tat de conscience ; elle a rĂ©vĂ©lĂ© les images contrastantes qui s'y trouvent et la nature de leurs contradictions ; elle a rĂ©vĂ©lĂ© les conflits qui engendrent ces contradictions, le dĂ©sespoir de n'y rien pouvoir faire, et les divers moyens que l'on met en pratique pour s'en Ă©vader ; TOUT CELA PAR UNE QUÊTE PRUDENTE ET HÉSITANTE À LA SUITE DE QUOI IL EST APPARU QUE L'OBSERVATEUR « EST » L'OBSERVÉ. ☀ ―☀― RĂ©f. 495 ☀ L'OBSERVATEUR « EST » L'OBSERVÉ ☀ Il n'est pas une entitĂ© supĂ©rieure, devenue consciente. Il n'est pas un surmoi. Ces « Soi » exaltĂ©s ne sont que des inventions, des images qui s'ajoutent Ă  toutes les autres: c'est la luciditĂ© elle-mĂȘme qui a rĂ©vĂ©lĂ© que l'observateur est l'observĂ©. Lorsque vous vous posez une question, quelle est l'entitĂ© qui recevra la rĂ©ponse? đŸ’„ Et quelle est l'entitĂ© ? qui cherche Ă  s'informer? Si elle est une partie de votre conscience, une partie de votre pensĂ©e, elle sera incapable de trouver ce qu'elle cherche. Tout ce qu'elle peut trouver, c'est un Ă©tat lucide. Mais si dans cet Ă©tat il y a encore une entitĂ© qui dit: « Je dois ĂȘtre lucide, je dois m'exercer Ă  l'ĂȘtre », ce n'est encore qu'une nouvelle image. La perception du fait que l'observateur est l'observĂ© n'est pas un processus d'identification avec l'observĂ©. S'identifier Ă  quelque chose est assez facile. C'est ce que font la plupart d'entre nous: ils s'identifient Ă  leur famille, Ă  leur mari ou Ă  leur femme, Ă  leur nation, ce qui conduit Ă  de grandes souffrances et Ă  des guerres. Ce dont nous parlons est totalement diffĂ©rent, et nous devons le comprendre non pas verbalement, mais avec notre ĂȘtre le plus profond, alertĂ© jusqu'Ă  ses racines. Dans la Chine ancienne, un peintre, avant de commencer Ă  peindre quoi que ce soit – un arbre, par exemple – s'asseyait devant son sujet pendant des jours, des mois, des annĂ©es – peu importait le temps – jusqu'Ă  « devenir » l'arbre. Il ne s'identifiait pas Ă  lui, il Ă©tait cet arbre. Cela veut dire qu'il n'y avait pas d'espace entre l'arbre et lui,đŸ’„pas d'espace entre l'observateur et l'observĂ©, pas d'entitĂ© vivant sa perception de la beautĂ©, du mouvement, de l'ombre, de la profondeur d'une feuille, de la qualitĂ© de sa couleur. Il Ă©tait l'arbre totalement et en cet Ă©tat seulement pouvait-il peindre. Tout mouvement de l'observateur, s'il ne s'est pas rendu compte qu'il est l'observĂ©, ne peut crĂ©er que de nouvelles sĂ©ries d'images, oĂč il se retrouve captif. ―☀― TEXTE – IMAGE L'OBSERVATEUR « EST » L'OBSERVÉ ☀ Se libĂ©rer du connu ☀ MAIS QUE SE PASSE-T-IL LORSQUE L'OBSERVATEUR EST CONSCIENT D'ÊTRE L'OBSERVÉ? Examinez cette question lentement, trĂšs lentement, car nous entrons maintenant dans quelque chose de trĂšs complexe. Que se passe-t-il? L'observateur, ainsi conscient n'agit plus du tout. Il s'Ă©tait toujours dit: « Je dois faire quelque chose en ce qui concerne ces images, les abolir ou leur donner de nouvelles formes » ; il avait toujours Ă©tĂ© actif au sujet de ce qu'il observait, agissant et rĂ©agissant, soit avec passion, soit avec indolence. Ce mode d'agir, basĂ© sur le plaire et le dĂ©plaire, a toujours Ă©tĂ© qualifiĂ© de positif: « Ceci me plaĂźt, je le retiens, cela me dĂ©plaĂźt, je m'en dĂ©barrasse. » Lorsque l'observateur se rend compte queđŸ’„ce sur quoi il agissait n'Ă©tait autre que « lui-mĂȘme » en sa qualitĂ© d'observateur, tout conflit cesse entre lui et ses images. Il est « cela », il n'en est pas sĂ©parĂ©. Lorsqu'il s'en sĂ©parait, il agissait, ou essayait d'agir sur ce qu'il voyait, mais maintenant, sachant que ces tentatives s'exerçaient sur lui-mĂȘme, le plaire et le dĂ©plaire ne sont plus en jeu, et le conflit cesse. Que peut-il faire? Que peut-on faire au sujet d'une chose qui est soi-mĂȘme? On ne peut ni se rĂ©volter contre elle, ni la fuir, ni mĂȘme l'accepter. Elle est « lĂ  »! Alors toute action qui provient des rĂ©actions du plaire et du dĂ©plaire parvient Ă  sa fin, et on dĂ©couvre une luciditĂ© qui est devenue extrĂȘmement vivante. Elle n'est tributaire ni de l'activitĂ© d'un centre, ni d'images. De son intensitĂ© se dĂ©gage une attention d'une qualitĂ© telle, que l'esprit – qui est cette luciditĂ© – devient extraordinairement sensitif et hautement intelligent. ☀ đŸ•Šïž 🙏 Sadhu ! Sadhu ! Sadhu ! 🙏 đŸ•Šïž UtilisĂ© entre autres pour exprimer une joie partagĂ©e de dĂ©votion, une approbation des valeurs morales et spirituelles. Aussi une expression d’accord et d’éloge, signifiant « excellent, bien, bon » – « Amen » ou « AllĂ©luia » J.K. Krishnamurti |❖Pleine Conscience ‱ MaĂźtrise de Soi ‱ SpiritualitĂ© ‱ ClartĂ© Mentale ‱ Non-attachement ❖|

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  • Aug 10, 20261.5x their median

    |❖ EN € ESP € FR ❖| ❖ INSIGHT € PROFOUND VISION ONE TRUTH € UNA VERDAD €UNE VÉRITÉ ❖| #Buddha’s Teachings Elements to Reach New Heights /ENG Majjhima Nikaya MN19 Dvedhavitakka Sutta Two Sorts of Thinking Buddha said
 before my self-awakening, the thought occurred to me: Why don't I keep dividing my thinking into two sorts? 1. does not lead to Unbinding 2. leads to Unbinding. So I made thinking imbued with sensuality, thinking imbued with ill will, & thinking imbued with harmfulness one sort, and thinking imbued with renunciation, thinking imbued with non-ill will, & thinking imbued with harmlessness another sort. ☀ So I made thinking imbued with sensuality, thinking imbued with ill will, & thinking imbued with harmfulness one sort (does not lead to Unbinding), The thought that leads to my own affliction or to the affliction of others or to the affliction of both; I simply abandoned it, dispelled it, wiped it out of existence. ☀ I made thinking imbued with renunciation, thinking imbued with non-ill will, and thinking imbued with harmlessness another sort (lead to Unbinding). Thinking that leads neither to my own affliction, nor to the affliction of others, nor to the affliction of both. 
 So I steadied my mind right within, settled, unified, & concentrated it. Why is that? So that my mind would not be disturbed. Buddha |❖Mindfulness €Self Mastery €Spirituality € Mental Clarity € Attachment Free ❖| đŸ’„/ESP Majjhima Nikaya NM 19 Dvedhavitakka Sutta Dos clases de pensamiento Antes de mi auto-despertar, 
 se me ocurriĂł el pensamiento: ‘ ÂżPor quĂ© no sigo dividiendo mi pensamiento en dos tipos?’ 1. no lleva a la LiberaciĂłn 2. lleva a la LiberaciĂłn AsĂ­ hice del pensamiento impregnado de sensualidad, del pensamiento impregnado de mala voluntad y del pensamiento impregnado de lo pernicioso un tipo, y del pensamiento impregnado de renunciaciĂłn, del pensamiento impregnado de buena voluntad y del pensamiento impregnado de lo beneficioso otro tipo. ☀AsĂ­ hice del pensamiento impregnado de sensualidad, del pensamiento impregnado de mala voluntad y del pensamiento impregnado de lo pernicioso un tipo (no lleva a la LiberaciĂłn). El pensamiento
 que lleva a mi propia aflicciĂłn o a la aflicciĂłn de otros o a la aflicciĂłn de ambos; simplemente lo abandonaba, lo destruĂ­a, lo disipaba, lo eliminaba de la existencia. ☀ Asi hice del pensamiento impregnado de renunciaciĂłn, del pensamiento impregnado de buena voluntad y del pensamiento impregnado de lo beneficioso otro tipo (lleva a la LiberaciĂłn). El pensamiento impregnado de lo beneficioso y que eso no me lleva ni a mi aflicciĂłn ni a la aflicciĂłn de otros ni a la aflicciĂłn de ambos. AsĂ­ pues calmĂ© mi mente internamente, la tranquilicĂ©, la unifiquĂ© y la concentrĂ©. ÂżPara quĂ©? Para que mi mente no estuviera inquieta. ☀ đŸ’„/FR Majjhima Nikaya MN19 Dvedhavitakka Sutta Deux types de pensĂ©es Bouddha dit
 avant mon auto-Ă©veil, de la pensĂ©e me vint:đŸ’„ Pourquoi est-ce que je ne continue pas Ă  diviser ma pensĂ©e en deux sortes? 1. qui ne conduit pas Ă  la LibĂ©ration 2. qui conduit Ă  la LibĂ©ration Je fis donc de la pensĂ©e empreinte de sensualitĂ©, de la pensĂ©e empreinte de mauvaise volontĂ©, et de la pensĂ©e empreinte de nocivitĂ© une sorte, et de la pensĂ©e empreinte de renoncement, de la pensĂ©e empreinte de non-mauvaise volontĂ©, et de la pensĂ©e empreinte d'innocuitĂ© une autre sorte. ☀Je fis donc de la pensĂ©e empreinte de sensualitĂ©, de la pensĂ©e empreinte de mauvaise volontĂ©, et de la pensĂ©e empreinte de nocivitĂ© une sorte (qui ne conduit pas Ă  la LibĂ©ration), La pensĂ©e qui conduit Ă  ma propre affliction ou Ă  l'affliction d'autres que moi ou Ă  l'affliction de tous deux; je l'abandonnais tout simplement, la dĂ©truisais, la dissipais, l'effaçais de l'existence. ☀Je fis donc de la pensĂ©e empreinte de renoncement, de la pensĂ©e empreinte de non-mauvaise volontĂ©, et de la pensĂ©e empreinte d'innocuitĂ© une autre sorte (qui conduit Ă  la LibĂ©ration). La pensĂ©e empreinte d'innocuité  conduit ni Ă  ma propre affliction, ni Ă  l'affliction d'autres que moi, ni Ă  l'affliction de tous deux. 
 J'ai donc affermi mon esprit tout au dedans, đŸ’„je l'ai posĂ©, unifiĂ©, et concentrĂ©. Pourquoi donc? De façon Ă  ce que mon esprit ne soit pas gĂȘnĂ©. ☀ Bouddha |❖ Éveil Spirituel ‱ Épanouissement de l'Âme ‱ SpiritualitĂ© ‱ LibertĂ© IntĂ©rieure ❖| ―☀― TEXT-IMAGE MajjhimaNikaya 19 Dvedhavitakka Sutta Two Sorts of Thinking When the mind was thus concentrated, purified, bright, unblemished, rid of defilement, pliant, malleable, steady, & attained to imperturbability, I directed it to the knowledge of the ending of the mental fermentations. I discerned, as it had come to be, that 'This is stress
 This is the origination of stress
 This is the cessation of stress
 This is the way leading to the cessation of stress
 These are fermentations
 This is the origination of fermentations
 This is the cessation of fermentations
 This is the way leading to the cessation of fermentations. My heart, thus knowing, thus seeing, was released from the fermentation of sensuality, released from the fermentation of becoming, released from the fermentation of ignorance. With release, there was the knowledge, 'Released.' I discerned that «Birth is ended, the holy life fulfilled, the task done.» There is nothing further for this world. đŸ’„ MajjhimaNikaya 19 Dvedhavitakka Sutta Dos clases de pensamiento Cuando la mente estaba asĂ­ concentrada, purificada, radiante, sin macula, libre de corrupciĂłn, flexible, maleable, firme y hubo alcanzado la imperturbabilidad, la dirigĂ­ al conocimiento de la finalizaciĂłn de las corrupciones mentales . ObservĂ©, como habĂ­a llegado a ser, que 'Esto es estrĂ©s
 Esto es el origen del estrĂ©s
 Esta es la cesaciĂłn del estrĂ©s
 Este es el camino que lleva a la cesaciĂłn del estrĂ©s
 Estas son las corrupciones
 Este es el origen de las corrupciones
 Esta es la cesaciĂłn de las corrupciones
 Este es el camino que lleva a la cesaciĂłn de las corrupciones'. Mi corazĂłn, sabiendo asĂ­, viendo asĂ­, fue liberado de la corrupciĂłn de la sensualidad, liberado de la corrupciĂłn del devenir, liberado de la corrupciĂłn de la ignorancia. Con la liberaciĂłn, hubo el conocimiento 'Liberado'. ObservĂ© que «El nacimiento ha terminado, la vida santa se ha cumplido, la tarea realizada.» No hay nada mas para este mundo. MajjhimaNikaya 19 Dvedhavitakka Sutta Deux maniĂšres de penser Lorsque l'esprit fut ainsi concentrĂ©, purifiĂ©, clair, sans tache, dĂ©barrassĂ© des souillures, flexible, mallĂ©able, ferme, et arrivĂ© Ă  l'imperturbabilitĂ©,đŸ’„je le dirigeai vers la connaissance de la fin des fermentations mentales. Je discernai, comme cela Ă©tait rĂ©ellement prĂ©sent, que 'Ceci est le stress
 Ceci est l'origine du stress
 Ceci est la cessation du stress
 Ceci est la voie qui mĂšne Ă  la cessation du stress.. Ceci sont les fermentations
 Ceci est l'origine des fermentations
Ceci est la cessation des fermentations
 Ceci est la voie qui mĂšne Ă  la cessation des fermentations.' Mon coeur, sachant cela, en voyant ainsi, fut libĂ©rĂ© de la fermentation de la sensualitĂ©, libĂ©rĂ© de la fermentation du devenir, libĂ©rĂ© de la fermentation de l'ignorance. Avec la libĂ©ration, il y eut la connaissance, 'LibĂ©rĂ©.' Je discernai que «La naissance est terminĂ©e, la vie s inte remplie, la tĂąche accomplie.» Il n'y a plus rien pour ce monde. ―☀― Buddha explains
 Bouddha explique
 Buda explica
 âžĄïžCont. Action Dvedhavitakka Sutta Two Sorts of Thinking Tomorrow’s Post đŸ’„

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  • Aug 14, 2026

    |❖PROFOUND VISION: ENG € ESP € FR € ONE TRUTH € UNA VERDAD € UNE VÉRITÉ ❖| Buddha’s Teachings Sihanada Sutta (10,21) ☀ /ENG ― The ten Tathagata’s powers ― With the divine eye, which is purified and surpasses the human, the Tathagata Sees
 Understands as it really is Sihanada Sutta These, bhikkhus, are the ten Tathagata’s powers that the Tathagata has, possessing which he claims the place of the chief bull, roars his lion’s roar in the assemblies, and sets in motion the brahma wheel. ☀ Three types of Buddha: ―Samyaksaáčƒbuddha (SammaSambuddha) or Universal Buddha. Perfectly Enlightened, Supremely Awakened One; Gotama Buddha is one Tathagata he rediscovers the Dharma (the Truth) on his own & teaches to others. ―Pratekyabuddha (Pacceka Buddha) is someone who has become enlightened through his or her own wisdom (without the instruction of a Universal Buddha) but who chooses not to teach the Dharma to others. ―Sravakabuddha [savakabuddha] has become enlightened through acquaintance with the teaching of a Universal Buddha. ☀ The ten Tathagata’s powers. Bhikkhus, in the evening the lion, the king of beasts, comes out from his lair, stretches his body, surveys the 4 quarters all around, and roars his lion’s roar 3 times. Then he sets out in search of game. For what reason? With the thought: “Let me not cause harm to small creatures that might cross my track” ‘The lion’ is a designation for the Tathagata, the Arahant, Samyaksaáčƒbuddha, the Perfectly Enlightened One. When He teaches the Dhamma to an assembly, this is his lion’s roar. /ESP ☀ Los diez poderes de un Tathagata ―Con el Ojo Divino, el cual esta Purificado y supera al humano Ve
 Comprende verdaderamente como es / El Tathagata tiene esos diez poderes de los Tathagatas, y al poseerlos, reclama el lugar del lĂ­der, ruge con su rugido de leĂłn en las asambleas, y hace girar la Rueda de Brahma. ☀ Tres tipos de Budas : ―Samyaksaáčƒbuddha - Completa iluminaciĂłn por su propio esfuerzo «perfectamente iluminado» Tathagata S. Gautama es uno
 y una vez alcanzada la budeidad, deciden ensenar el Dharma. ―Pratyekabuddha - llamados
 «los Budas silenciosos o solitarios» Han alcanzado el nirvana
 a travĂ©s de sus propios esfuerzos; pero no ensenar el dharma a otros. ―Sravakabuddha - iluminados
 llegado al Nirvana, escuchando el Dharma que ensenaba alguien que poseĂ­a la Budeidad. ☀Los diez poderes de un tathagata. Bhikkhus, el rey de los animales, sale de su guarida al anochecer. Se estira, mira en las cuatro direcciones y ruge tres veces. ÂżPor quĂ©? Lo hace pensando: «Que las pequeñas criaturas no aparezcan en mi visiĂłn y sean asesinadas». «El leĂłn», bhikkhus, es sinĂłnimo del Tathagata, el arahant, el Samyaksambuddha plenamente despierto. Y tiene estos diez poderes, al poseerlos el reclama el lugar del lĂ­der, ruge con su rugido de leĂłn en las asambleas, y hace girar la Rueda de Brahma (Rueda del Dharma). ÂżCuĂĄles son los diez poderes?đŸ’„ /FR ☀ Les dix forces du Tathagata Avec l'Ɠil dĂ©va, qui est pur & au-delĂ  de l'Ă©tat humain Voie
 Comprend tel qu'il est dans les faits Voici, bhikkhous, quelles sont ces dix forces de Tathagata pourvu desquels le Tathagata se reconnaĂźt comme le meneur (du troupeau), rugit sont rugissement de lion dans les assemblĂ©es et met en mouvement la roue de Brahma. ☀ Trois types de Bouddha : ―Samyaksaáčƒbuddha [sammasambuddha] Bouddha Tathagata "complĂštement, parfaitement Ă©veillĂ©" Parvenu Ă  la la sagesse et Ă  la libĂ©ration, aprĂšs avoir pratiquĂ© les "perfections". Obtient l'Ă©veil par ses seuls efforts et il enseigne le Dharma. ―Pratyekabuddha [paccekabuddha] "Ă©veillĂ© pour soi" qui obtient l'Ă©veil par ses seuls efforts mais n'enseigne pas le Dharma. ―Sravakabuddha [savakabuddha] "auditeur Ă©veillĂ©" Parvient Ă  l'Ă©veil en suivant l'enseignement dĂ©livrĂ© par un samyaksambuddha ou d'un Arhat (personne Ă©veillĂ©e). ☀ Les dix forces du Tathagata. Bhikkhus, le roi des animaux quitte sa taniĂšre le soir. Il s'Ă©tire, regarde dans les 4 directions, et rugit 3 fois. Pourquoi? Il le fait en pensant: «Puissent les petites crĂ©atures ne pas apparaĂźtre Ă  ma vision et ĂȘtre tuĂ©es» 'Le lion', bhikkhous,đŸ’„est synonyme pour le Tathagata, l'arahant, Samyaksaáčƒbuddha complĂštement, parfaitement Ă©veillĂ©. Le Tathagata se reconnaĂźt comme le meneur (du troupeau), rugit sont rugissement de lion dans les assemblĂ©es et met en mouvement la roue de Brahma. ―☀― TEXT-IMAGE Ten Powers: Tathāgata – Tathagata 01. âžĄïž 10. - The Buddha used the term to refer to himself after he had attained enlightenment : mean either ‘one who has thus come’ or ‘one who has thus gone’ With the destruction of the taints, the Tathagata has realized for himself with direct knowledge, in this very life, the taintless liberation of mind, liberation by wisdom, and having entered upon it, he dwells in it. Since the Tathagata has realized for himself 
 the taintless liberation of mind, liberation by wisdom 
 this too is a Tathagata’s power that the Tathagata has, on account of which he claims the place of the chief bull, roars his lion’s roar in the assemblies, and sets in motion the brahma wheel (Buddha’s Eightfold Path). ―☀― Dix Forces: Tathāgata – Tathagata 01. âžĄïž 10. - Une des Ă©pithĂštes dĂ©signant le Bouddha dans le canon pali, synonyme de Bouddha : signification: "Comme Venu; ainsi venu" ou "ainsi disparu; ainsi arrivĂ©" đŸ’„ Le Tathagata, avec la destruction des impuretĂ©s mentales, entre et demeure dans ce monde visible dans la libĂ©ration de l'esprit sans impuretĂ©, dans la libĂ©ration par le discernement, en l'ayant rĂ©alisĂ©e pour lui-mĂȘme par connaissance directe. Bhikkhous, le fait que le Tathagata, avec la destruction des impuretĂ©s mentales, entre et demeure dans ce monde visible dans la libĂ©ration de l'esprit sans impuretĂ©, dans la libĂ©ration par le discernement, en l'ayant rĂ©alisĂ©e pour lui-mĂȘme par connaissance directe, constitue une force du Tathagata en vertu de laquelle le Tathagata se reconnaĂźt comme le meneur (du troupeau), rugit sont rugissement de lion dans les assemblĂ©es et met en mouvement la roue de Brahma (Noble Chemin Octuple). ―☀― Diez Poderes: Tathāgata – Tathagata 01. âžĄïž 10. - Buda Gautama lo usa cuando se refiere a sĂ­ mismo oa otros Budas en el Canon Pali. :significa "uno que se ha ido" "el que asĂ­ ha venido" o "uno que no se ha ido" TambiĂ©n al realizarlo por Ă©l mismo con el conocimiento directo, el Tathagata aquĂ­ y ahora entra y permanece en la liberaciĂłn de la mente, la cual es inmaculada, siendo liberado de todas las impurezas, que son destruidas por la sabidurĂ­a. đŸ’„ Ese es tambiĂ©n un poder de los Tathagatas que el Tathagata tiene, por virtud del cual reclama el lugar del lĂ­der, ruge con su rugido de leĂłn en las asambleas, y hace girar la Rueda de Brahma (Noble Óctuple Sendero). ―☀― ☀ âžĄïžCont. Sihanada Sutta (10,21) ― The ten Tathagata’s powers ― Tomorrow’s Post đŸ’„ #Bouddha |❖ Éveil Spirituel ‱ Épanouissement de l'Âme ‱ SpiritualitĂ© ‱ LibertĂ© IntĂ©rieure ❖| #Buddha |❖Mindfulness €Self Mastery €Spirituality € Mental Clarity € Attachment Free ❖|

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  • Aug 6, 2026

    482 🙏 ENG | Jiddu Krishnamurti đŸ’„ PUBLICATION : New «FORMAT» Nouveau đŸ’„ ―💛 La Version Française du livre de Krishnamurti est publiĂ©e ci-dessous aprĂšs la Version Anglaise 💛― |❖ For OPTIMAL UNDERSTANDING Read the text with ATTENTION from the First word to the End ❖| Meditation 5ePublic Talk ☀ Freedom From the Known ☀ MEDITATION ☀ Question ! ☀ OBSERVER & OBSERVED ☀ PLEASE GO ON WITH ME A LITTLE FURTHER. It may be rather complex, rather subtle, but please go on with it. Now, when I build an image about you or about anything, I am able to watch that image, so there is the image and the observer of the image. I see someone, say, with a red shirt on and my immediate reaction is that I like it or that I don't like it. THE LIKE OR DISLIKE IS THE RESULT OF MY CULTURE, MY TRAINING, MY ASSOCIATIONS, MY INCLINATIONS, MY ACQUIRED AND INHERITED CHARACTERISTICS. IT IS FROM THAT CENTRE THAT I OBSERVE AND MAKE MY JUDGEMENT, AND THUS THE OBSERVER IS SEPARATE FROM THE THING HE OBSERVES. BUT THE OBSERVER IS AWARE OF MORE THAN ONE IMAGE; HE CREATES THOUSANDS OF IMAGES. But is the observer different from these images? Isn't he just another image? He is always adding to and subtracting from what he is; he is a living thing all the time weighing, comparing, judging, modifying and changing as a result of pressures from outside and within - living in the field of consciousness which is his own knowledge, influence and innumerable calculations. At the same time when you look at the observer, who is yourself, you see that he is made up of memories, experiences, accidents, influences, traditions and infinite varieties of suffering, all of which are the past. So the observer is both the past and the present, and tomorrow is waiting and that is also a part of him. He is half alive and half dead and with this death and life he is looking, with the dead and living leaf. AND IN THAT STATE OF MIND WHICH IS WITHIN THE FIELD OF TIME, YOU (THE OBSERVER) LOOK AT FEAR, AT JEALOUSY, AT WAR, AT THE FAMILY (THAT UGLY ENCLOSED ENTITY CALLED THE FAMILY) AND TRY TO SOLVE THE PROBLEM OF THE THING OBSERVED WHICH IS THE CHALLENGE, THE NEW; ―☀― TEXT-IMAGE OBSERVER & OBSERVED « I observe and make my judgement, and thus the observer is separate from the thing he observes (bis)» ☀ « So the observer is both the past and the present, and tomorrow is waiting and that is also a part of him. (bis)» ☀ YOU ARE ALWAYS TRANSLATING THE NEW IN TERMS OF THE OLD AND THEREFORE YOU ARE EVERLASTINGLY IN CONFLICT. One image, as the observer, observes dozens of other images around himself and inside himself, and he says, `I like this image, I'm going to keep it' or `I don't like that image so I'll get rid of it', but the observer himself has been put together by the various images which have come into being through reaction to various other images. So we come to a point where we can say, `The observer is also the image, only he has separated himself and observes. đŸ’„ This observer who has come into being through various other images thinks himself permanent and between himself and the images he has created there is a division, a time interval. This creates conflict between himself and the images he believes to be the cause of his troubles. So then he says, "I must get rid of this conflict", but the very desire to get rid of the conflict creates another image. Awareness of all this, which is real meditation, has revealed that there is a central image put together by all the other images, and the central image, the observer, is the censor, the experiencer, the evaluator, the judge who wants to conquer or subjugate the other images or destroy them altogether. The other images are the result of judgements, opinions and conclusions by the observer, and the observer is the result of all the other images - therefore the observer is the observed. So awareness has revealed the different states of one's mind, has revealed the various images and the contradiction between the images, has revealed the resulting conflict and the despair at not being able to do anything about it and the various attempts to escape from it. ALL THIS HAS BEEN REVEALED THROUGH CAUTIOUS HESITANT AWARENESS, AND THEN COMES THE AWARENESS THAT THE OBSERVER IS THE OBSERVED. ☀ đŸ•Šïž 🙏Sadhu ! Sadhu ! Sadhu ! 🙏 đŸ•ŠïžAmong others it is used to express shared joy, moral approval, and spiritual agreement. Also means « excellent, well done, or it is good.» - «Amen or Hallelujah» Krishnamurti |❖Mindfulness € Self Mastery € Spirituality € Mental Clarity € Attachment Free ❖| ―🙏― 📖 VERSION FRANÇAISE 📖 đŸ•ŠïžOn LinkedIn « New Post » 482- 🙏 FR | Jiddu Krishnamurti |❖ Pour une COMPRÉHENSION OPTIMALE, LIRE avec ATTENTION le texte au complet « du DĂ©but Ă  la Fin » ❖| MĂ©ditation Public Talk 5e Causerie ☀ Freedom From the Known ☀Question ☀ OBSERVATEUR & OBSERVÉ ☀ JE VOUS EN PRIE, ACCOMPAGNEZ-MOI ENCORE UN BOUT DE CHEMIN. Cela sera peut-ĂȘtre quelque peu complexe et subtil, mais veuillez poursuivre. Lorsque je construis une image de vous – ou de n'importe quoi – j'ai la facultĂ© de l'observer. Il y a donc l'image et son observateur. Je vois, par exemple, quelqu'un avec une chemise rouge et ma rĂ©action immĂ©diate est qu'elle me plaĂźt ou qu'elle me dĂ©plaĂźt, CE PLAIRE ET DÉPLAIRE EST LE RÉSULTAT DE MA CULTURE, DE MON ÉDUCATION, DE MES ASSOCIATIONS, DE MES INCLINATIONS, DE MES CARACTÉRISTIQUES ACQUISES OU HÉRITÉES. C'EST DE CE CENTRE QUE J'OBSERVE ET QUE J'ÉMETS MES JUGEMENTS, ET C'EST AINSI QUE L'OBSERVATEUR SE SÉPARE DE CE QU'IL OBSERVE. MAIS L'OBSERVATEUR EST CONSCIENT DE PLUS QUE D'UNE SEULE IMAGE: IL EN CRÉE DES MILLIERS. Toutefois, en diffĂšre-t-il ? N'est-il pas, lui, qu'une autre image? Il ne cesse d'ajouter ou de soustraire Ă  ce qu'il est ; il est une chose vivante qui, tout le temps, soupĂšse, compare, juge, se modifie, et change en tant qu'il est une rĂ©sultante de pressions extĂ©rieures et intĂ©rieures. Il vit dans le champ de conscience que constituent ses connaissances, les influences qu'il reçoit et d'innombrables calculs. En mĂȘme temps, si vous regardez l'observateur – qui est vous-mĂȘme – vous voyez qu'il est fait de mĂ©moires, d'expĂ©riences, d'accidents, d'influences, de traditions, et d'une variĂ©tĂ© infinie de souffrances: tout cela Ă©tant le passĂ©. Ainsi l'observateur est Ă  la fois le passĂ© et le prĂ©sent ; et le lendemain qui est en attente est aussi une partie de lui. Il est mi-vivant, mi-mort et au moyen de cette mort-vie il regarde, en compagnie des feuilles des arbres, mortes et vivantes. C'EST EN CET ÉTAT D'ESPRIT, QUI EST DANS LE CHAMP DU TEMPS, QUE VOUS (OBSERVATEUR), REGARDEZ LA PEUR, LA JALOUSIE, LA GUERRE, ET CETTE ENTITÉ VILAINEMENT ENCLOSE QUI S'APPELLE LA FAMILLE. C'EST AINSI QUE VOUS ESSAYEZ DE RÉSOUDRE LES PROBLÈMES QUE VOUS POSE CE QUE VOUS OBSERVEZ, PROBLÈMES QUI SONT LA PROVOCATION, LE NEUF. ―☀― TEXTE – IMAGE OBSERVATEUR & OBSERVÉ « j'observe et que j'Ă©mets mes jugements, et c'est Ainsi que l'observateur se sĂ©pare de ce qu'il observe (bis)» ☀ « Ainsi l'observateur est Ă  la fois le passĂ© et le prĂ©sent ; Et le lendemain qui est en attente est aussi une partie de lui. (bis)» ☀VOUS NE FAITES JAMAIS QUE TRADUIRE LE NEUF EN TERMES DU VIEUX ET, PAR CONSÉQUENT, VOUS VOUS TROUVEZ DANS DE SEMPITERNELS CONFLITS. Une image, en tant qu'observateur, observe des douzaines d'autres images autour d'elle et en elle, et dit: « Celle-ci me plaĂźt, je la garde », ou « celle-lĂ  me dĂ©plaĂźt, je vais m'en dĂ©barrasser ». Mais cet observateur lui-mĂȘme a Ă©tĂ© fabriquĂ© par les diffĂ©rentes images qui ont Ă©tĂ© créées par des rĂ©actions Ă  diverses autres images. đŸ’„ Nous arrivons alors au point oĂč nous pouvons dire que l'observateur est aussi une image, mais qui s'est sĂ©parĂ©e des autres, et qui observe. Ayant Ă©tĂ© engendrĂ© par des images variĂ©es, cet observateur se croit pourtant permanent et il se produit entre lui et ce qu'il crĂ©e une division, un intervalle de temps, cela provoque un conflit entre lui et les images qu'il accuse d'ĂȘtre la cause de ses tracas. Il dit alors: « Je dois me dĂ©livrer de ce conflit », et ce dĂ©sir mĂȘme qu'il a de s'en dĂ©gager crĂ©e, encore, une nouvelle image. S'ĂȘtre rendu compte de tout cela – et c'est la vraie mĂ©ditation – a rĂ©vĂ©lĂ© qu'il y a une image centrale assemblĂ©e par toutes les autres, qui est l'observateur, le censeur, celui qui perçoit l'expĂ©rience, celui qui Ă©value.C'est le juge qui veut conquĂ©rir ou subjuguer les images qui l'ont créé, ou mĂȘme les dĂ©truire, incitĂ© par celles qui rĂ©sultent de ses jugements, de ses opinions, de ses conclusions. Mais ces images qui l'ont créé le voient, Ă  leur tour, et c'est alors que l'observateur, « est » l'observĂ©. Ainsi la luciditĂ© a rĂ©vĂ©lĂ© les diffĂ©rents Ă©tats qui composent notre Ă©tat de conscience ;đŸ’„elle a rĂ©vĂ©lĂ© les images contrastantes qui s'y trouvent et la nature de leurs contradictions ; elle a rĂ©vĂ©lĂ© les conflits qui engendrent ces contradictions, le dĂ©sespoir de n'y rien pouvoir faire, et les divers moyens que l'on met en pratique pour s'en Ă©vader ; TOUT CELA PAR UNE QUÊTE PRUDENTE ET HÉSITANTE À LA SUITE DE QUOI IL EST APPARU QUE L'OBSERVATEUR « EST » L'OBSERVÉ. ☀ đŸ•Šïž 🙏 Sadhu ! Sadhu ! Sadhu ! 🙏 đŸ•Šïž UtilisĂ© entre autres pour exprimer une joie partagĂ©e de dĂ©votion, une approbation des valeurs morales et spirituelles. Aussi une expression d’accord et d’éloge, signifiant « excellent, bien, bon » – « Amen » ou « AllĂ©luia » J.K. Krishnamurti |❖ Pleine Conscience € MaĂźtrise de Soi € SpiritualitĂ© € ClartĂ© Mentale € Non-attachement ❖|

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Ranked by total interactions across everything we have tracked for this account, which is a longer history than the 30-day window the rates above use. The multiple compares each post to this account's own median.

Recurring topics

#buddha#blessings#lovelife#behappy#quote

The most frequent hashtags in the sampled posts. They describe what this account writes about; they are not a performance signal, and the catalog-wide breakdown on the hub shows how little hashtag count moves.

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Reading these numbers

A typical post picks up 8 interactions against 1.7M followers, an engagement rate of 0.001%. Measured over 20 original posts, its engagement rate beats 9% of 1,003 tracked accounts of a similar size. That is a reason to look at how the audience behaves - reply depth, saves, whether the followers are recent - rather than a conclusion about it on its own. Posts are seen about 2.9K times each, and 0.293% of those impressions turn into an interaction. That is about 0.168% of the follower count, which is the gap between an audience on paper and an audience in a timeline. Posting runs at about 3.6 posts a day over the last 30 days, with activity on roughly 67% of days. Most posts go out around 21:00 UTC, and Wednesday is the busiest day of the week. Of the 20 posts sampled, 100% carry an image or video, 55% are part of a thread and 5% link out. The account's strongest tracked post pulled 20K interactions, about 2473x its own typical post. Recurring topics include #buddha, #blessings, #lovelife.

What is Etienne Arsenault's engagement rate on X?
Etienne Arsenault (@JETAR9) has an engagement rate of 0.001%, based on the median interactions across 20 original posts from the last 30 days against 1,733,286 followers. Replies, reposts and quote-posts of other people are excluded from that sample.
Is that a good engagement rate?
At 0.001%, Etienne Arsenault sits below the 10th percentile of the 9,789 accounts in this comparison. Those comparison accounts are all large ones, because our scanning cadence is weighted towards big accounts, so this is a ranking among peers of similar scale rather than a ranking across X.
Does @JETAR9 have real engagement?
Its engagement rate beats 9% of the tracked X accounts closest to it in follower count (1,003 accounts), which puts it in the bottom 10% for its size group. Ranking inside a size band matters because engagement rate falls as accounts grow, so a raw rate would mostly re-measure the follower count. It is a starting point for a look at follower quality, not a verdict on it.
When does @JETAR9 post?
Most posts go out around 21:00 UTC, and Wednesday is its busiest day, at roughly 3.57 posts per day across the measured window.

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