Franco Ronconi 🇮🇹 engagement report

Best tweets

• Sep 24, 2026

  Trust is what holds our societies together. But trust has increasingly been shifting from humans to AI. What happens when we stop trusting each other completely? From @TheEconomist interview with @zannymb: https://t.co/tVmVSuU3S8 https://t.co/MopZBAGakt

  1.1K317673948K viewsView on X
• Aug 24, 2026

  Experts warn the AI data centers are leading to “a national economic crisis.” The massive global rush to build out artificial intelligence infrastructure is hiding a deep financial crisis that could soon spiral into an economic disaster in the U.S. According to hedge fund manager Harris Kupperman and industry insiders, the core economic math behind the AI data center boom is fundamentally broken. Tech companies are pouring billions of dollars into high-performance semiconductor chips and massive physical facilities, treating them as the 'shovels' of the AI gold rush. However, unlike traditional long-term infrastructure, these highly specialized components degrade and become obsolete at an alarming pace. Rapid technological advancements and the sheer intensity of high-power workloads mean that data center hardware has an impossibly short lifespan, forcing operators into a continuous, hyper-expensive cycle of replacement long before they can recover their initial investments. This rapid depreciation creates an immense financial gulf that the current market cannot bridge. To break even on current and projected capital expenditures through 2026, the AI sector would need to generate approximately $1 trillion in revenue—a figure that vastly dwarfs any actual income the technology currently produces. When tech giants scale up these operations despite flawed unit economics, they are not solving the underlying financial problem; rather, they are inflating a bubble that threatens the broader economy. If the anticipated AI revenue fails to materialize, these multi-billion-dollar facilities risk becoming heavily stranded assets, transforming a Silicon Valley tech correction into a systemic national crisis that could drag down utilities, rate-payers, and investors alike. source: Wilkins, J. (2025). AI Data Centers Are an Even Bigger Disaster Than Previously Thought. Futurism.

  315182483916K viewsView on X
• Aug 27, 2026

  Renowned Japanese avant-garde artist Yayoi Kusama passed away at the age of 97 in a Tokyo hospital on August 14, 2026, with her studio and foundation officially announcing her death on August 27... Yayoi Kusama was one of the most distinctive figures in contemporary art, famous for her polka dots, pumpkins, Infinity Nets, and mirrored rooms. Born in Japan in 1929, Kusama began experiencing vivid hallucinations as a child, including fields of dots, flowers, lights, and patterns that appeared to spread across her surroundings. Drawing and painting became a way of recording and coping with these experiences, and repetition eventually became one of the defining features of her art. Kusama moved to New York in 1958 and became part of the city's avant-garde art world. During the 1960s, she experimented with enormous patterned paintings, sculptures, installations, performances, and mirrored environments. Her first Infinity Mirror Room appeared in 1965, decades before such immersive installations became enormously popular with museum audiences. After returning to Japan in 1973, Kusama continued struggling with her mental health. In 1977, she voluntarily became a permanent resident of a psychiatric hospital in Tokyo. This wasn't the end of her artistic career. She established a studio nearby and maintained a remarkably disciplined routine, leaving the hospital to work and returning afterward. Kusama herself described the hospital as a place she chose to live while receiving treatment. For decades, this unusual arrangement allowed her to continue producing paintings, sculptures, novels, poetry, and enormous installations. In later years, particularly after the pandemic, she increasingly worked from a room within the hospital itself. Her experiences with hallucinations, repetition, infinity, and what she called “self-obliteration” remained deeply connected to her work. After spending years relatively overlooked by the international art establishment, Kusama experienced an extraordinary resurgence beginning in the late 1980s and 1990s. Her Infinity Mirror Rooms and dotted pumpkins eventually became some of the most recognizable works in contemporary art. Kusama passed away at a hospital in Tokyo on August 14, 2026, at age 97. According to the Yayoi Kusama Museum, she continued painting until her final days. 📷 : Yayoi Kusama's work "The Spirits of the Pumpkins Descended into the Heavens" (2015), exhibited at the National Gallery of Australia in Canberra, ACT, Australia. #archaeohistories

  171381213K viewsView on X
• Aug 19, 2026

  Handy! https://t.co/TCFl1gHmia

  379649.5K viewsView on X

Ranked by total interactions across everything we have tracked for this account, which is a longer history than the 30-day window the rates above use. The multiple compares each post to this account's own median.

Keep going